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Kurtis Wiebe on Rat Queens

Books & Writing, Culture, Interviews, Showcase

June 19, 2017

Kurtis Wiebe, writer of Rat Queens and Bounty and a host of other comics that we love, recently took the time to sit down and chat about his return to that title, his love of role playing games, the future of the Queens, and some of his other projects. It’s the sort of conversation that we’re delighted to be able to share, and so…

 

LMM: Hey, Kurtis, thanks for taking the time to do this with us. You’re back writing Rat Queens, one of the first – and, in our opinion, one of the best – dungeons and dragons inspired comics to feature anything other than male leads. Where did the original concept come from?

Kurtis Wiebe: Rat Queens was born out of the idea of taking fantasy in a direction I’d never seen before. I’d never come across a fantasy series, comic or fiction in general, that featured four female protagonists. I wanted to create a world where gender really didn’t matter when it came to career pursuits. So often when a woman is a warrior in these sorts of stories there’s always someone making a point of it. “You can’t do that, you’re a woman.” And then the story is about them proving that they can. I think it’s a fun concept that it’s just a universally accepted fact that a job is a job, no one questions the gender equation.

And I think it’s pretty obvious that there’s a huge element of roleplaying game nostalgia mixed in for good measure.

 

LMM: You had initially intended to kickstart the series. What was it like getting picked up by Jim Valentino before the funding went live? What was your reaction?

Kurtis Wiebe: I think it’s sort of telling in a lot of ways. I never expected ANYONE to read Rat Queens. It was a series in a genre that traditionally was a tough sell in the comic market. It didn’t even cross my mind to pitch to Shadowline until Riley Rossmo read over the pitch and said I should at least try to talk to Jim Valentino about it.

Jim responded within a few hours and greenlit it. I think Jim saw more in the series than I did at that point and took a chance. I was pretty surprised, honestly.

 

LMM: What brought you back after your hiatus?

Kurtis Wiebe: Owen Gieni. I’d been talking to him for years about working on something together. We’ve known each other long before we both ended up in Vancouver a few years ago. (Though I’m no longer there, myself.) Owen and I met up and started hanging out in Saskatoon, Canada roughly seven years ago. We played RPG’s together, jammed on story ideas and spent a few nights around a campfire having drinks. Real classic small town Saskatchewan stuff.

I’d always hoped that Owen would come onto Rat Queens for a one shot at the very least, and I’d reached out to him about coming onto the series when  Stjepan was unable to continue working on it. It didn’t work out then due to scheduling conflicts, but I’m so glad he agreed to join me for the relaunch.

You have to understand that Owen brought an energy to the series that reignited the spark for me. I had fell out of love with the series for a lot of reasons but I am absolutely loving working on it again. The best part is the level of collaboration we have. We will break story together, scene by scene. Joke by joke. This new take on Rat Queens is a real blending of our combined humor and storytelling.

 

LMM: You’ve got an interesting cast of characters to develop stories with. Who’s your favorite, and why?

Kurtis Wiebe: Tough decision. I think Betty has become the most natural for me. I know her inside and out and her ability to love anyone, despite everything, is an aspect of her personality that is a real joy to write.

 

LMM: Speaking of that cast of characters… everyone is a lot deeper than they look at first glance. Where’d you draw on the gender issues that confront Violet, where do you see her brother’s involvement in her life going, and is the rest of her family going to get involved?

Kurtis Wiebe: For Violet, it was more about family expectation. Tradition for the sake of it. Never questioning the history that came before. And the reasons her father gave her were never enough. She needed to be heard and her father, and Barrie to a certain extent, weren’t able to do so. So Violet set out to create her own traditions that were personal to her.

Barrie is already part of the new relaunch, and it’s evident he still doesn’t understand her choices. We will be dealing with that in upcoming issues and more with her family later on.

 

LMM: Violet takes care of her Queens and the Queens look like the biggest gang of heroes in Palisade – how do the people of Palisade feel about that, and how comfortable is Violet with playing politics? Will the various nobles try to use Violet and the nobles for their own ends?

Kurtis Wiebe: I doubt Violet sees herself as a hero, that would be more of a Hannah thing. But the people of Palisade are much more accepting of the Queens after they saved the town from a potentially devastating attack in Volume 2. We’ll get into that more in the series as well.

 

LMM: By the same token, you have a similar but different issue playing out with the half-orc, Braga. What was it like getting to explore her backstory, and what’s it like having her officially join the Queens?

Kurtis Wiebe: I love the one shots for that reason. We have an opportunity to tell smaller stories that reveal the history of our side characters in the series. As far as Braga, she’s always been a fun character to write. Her backstory is sad in a lot of ways, but fits in with the overall idea of found family. She never fit in with her own orcish people because of their backward violent traditions. There’s some similarities to Violet’s backstory, but Braga left to see a bigger, more beautiful world.

It was a natural fit to bring her into the fold of the Queens. It’s definitely a different dynamic, and it takes some getting used to for sure. But I’m glad we made that decision.

 

LMM: Hannah has dealt with a host of abuses in the past. Has she laid her demons to rest, so to speak, or are they going to come back to haunt her going forward?

Kurtis Wiebe: Hannah’s story is a very big part of our relaunch. I’ve said before that everything that happened in the series before matters and the relaunch is going to be a little jarring at first. I can’t say much more without giving a lot away. But, rest assured, Hannah’s history and her decisions are very much still echoing through the story.

 

LMM: Hannah’s infernal heritage has caused her a lot of grief and turned people against her not because of who but because of what she is. Do you see who she’s become as a self-fulfilling prophecy given the way she’s been treated?

Kurtis Wiebe: It can go that way. Or maybe it has. Or maybe it will. Or maybe it hasn’t. Secrets.

 

LMM: Dee’s religious background is interesting – an atheist cleric who has seen the face of her god is kind of amazing. Where did the idea of her faith come from, and are we going to see it explored further?

Kurtis Wiebe: Dee’s religious background is a fundamental part of her character and we can’t tell her story without some part of that playing a role. A lot of her experiences are based on my own. I came from a Christian family and later on became an atheist. Through her story, I’m telling my own. Even working out some of the struggles I’ve had because of it.

And Dee’s vision of her god will definitely play a large role in stories to come. For now, Dee is preparing for a career change which will be more apparent in our second arc.

 

LMM: How does Betty live on nothing but alcohol, drugs, and candy?

Kurtis Wiebe: Smidgen resilience to pleasure overload.

 

LMM: You’ve used Rat Queens as a means of poking fun at fantasy tropes while exploring modern issues of privilege, gender and sexual identity, and politics. A handful of comics have tried to echo what you built – how do you plan on keeping Rat Queens ahead of the pack?

Kurtis Wiebe: I don’t really see it as a competition. Rat Queens mirrors the community of people in my life and that’s where I draw my inspiration from. I plan to continue to be inspired by that community and try as best as I can to replicate those relationships in the world of Rat Queens.

 

LMM: Rat Queens betrays a love and knowledge of pen’n’paper role playing. Do a favorite system? What games do you play? Do you have a favorite character you’ve played in the past?

Kurtis Wiebe: I love RPGs. I play anything and everything. I think certain systems are good for specific genres or types of players. Want to introduce complete newbs to RPGs? D&D 5th edition. Want to run a deeply character driven but hilarious short story? Fiasco. It all depends on the mood and the group, in my opinion.

And, to be honest, I haven’t actually played a character in about twelve years. I exclusively run games. That’s my jam.

 

LMM: What are the future plans for Rat Queens? You’ve done some crossovers with Vox Machina from Critical Role – a live D&D show played by voice actors – and done some work for the video gaming industry in the past; any chance for a Rat Queens video game? Toys? Board games? Maybe an actual D&D expansion?

Kurtis Wiebe: Well, it hasn’t been announced yet but I’m working with Wizards of the Coast on a Rat Queens adventure supplement for D&D 5th edition. I’d love to make an RQ board game, something like a dungeon crawler miniature combat game with a huge splash of humor.

 

LMM: In the first issue of the new series, the Queens end up fighting a Giant Canadian Goose. The normal-sized ones are terrible enough, but… are there stats for the Giant Canadian Goose? For reasons of I need to inflict that on my players.

Kurtis Wiebe: No stats yet. And you can thank Owen Gieni for that one. In the script I simply said: Insert flying monster of some kind. The rest is all Owen.

 

LMM: There’s been a host of other projects that you’ve been working on, all tying into the same themes that Rat Queens draws so much from – titles like Grim Leaper and Debris coming to mind. Is there any chance we might see more of them?

Kurtis Wiebe: I’m focusing all my comic energy into Rat Queens right now. It is my number one priority and my goal is to ensure we continue to come out with fun, hilarious and adventurous stories that are also hitting their schedule. Fun fact. When issue 3 came out last month, it was the first time in the series history that we had 3 issues in a row that came out on time. That’s the goal. Consistency in schedule and quality.

 

LMM: You’ve also flirted with horror comics, as seen with Green Wake. Where did the idea come from, how did you develop it?

Kurtis Wiebe: I wrote Green Wake while going through a divorce. It was the one place I could channel all those raw emotions and transform it into something that made sense of at least some of the pain. But it was entirely a creation of both Riley and me. It was an equal partnership in both storytelling and worldbuilding and I’m super proud of it.

 

LMM: While Rat Queens was on hiatus, you started working on the sci-fi series Bounty. What was that like, jumping from one genre to the next?

Kurtis Wiebe: I wanted to do a series for a younger audience that built on the themes I’d created in Rat Queens. I’ve received so many messages about wanting a Rat Queens style story that women could share with the girls in their lives that wasn’t R rated. And Bounty came out of that. Genre jumping wasn’t a huge difficulty, I have written in sci-fi settings before and narratively it was a world that was right in my wheelhouse.
It was a lot of fun to work on. Mindy Lee is an amazing artist. Her design sense is some of the best I’ve seen in comics and it was a real honor to work with her. It was one of those things where Bounty wouldn’t have worked under anyone else’s sensibilities.

 

Thanks for taking the time to chat with us, Kurtis. If you’d like to chat with Kurtis you can do so on the twitters by clicking here or his personal page by clicking here. He’s good people. He also sometimes hangs out at Big Pete’s Comics and Collectables, where you can also buy Rat Queens and his other works. They’re also on Amazon, and you can find a helpful listing of his comics by clicking here. Thanks again to Kurtis, thank you for reading, and we’ll have more goodies for you as they crop up. 

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180

Kurtis Wiebe on Rat Queens

Books & Writing, Culture, Interviews, Showcase

June 16, 2015

Kurtis Wiebe, writer of Rat Queens and Bounty and a host of other comics that we love, recently took the time to sit down and chat about his return to that title, his love of role playing games, the future of the Queens, and some of his other projects. It’s the sort of conversation that we’re delighted to be able to share, and so…

 

LMM: Hey, Kurtis, thanks for taking the time to do this with us. You’re back writing Rat Queens, one of the first – and, in our opinion, one of the best – dungeons and dragons inspired comics to feature anything other than male leads. Where did the original concept come from?

Kurtis Wiebe: Rat Queens was born out of the idea of taking fantasy in a direction I’d never seen before. I’d never come across a fantasy series, comic or fiction in general, that featured four female protagonists. I wanted to create a world where gender really didn’t matter when it came to career pursuits. So often when a woman is a warrior in these sorts of stories there’s always someone making a point of it. “You can’t do that, you’re a woman.” And then the story is about them proving that they can. I think it’s a fun concept that it’s just a universally accepted fact that a job is a job, no one questions the gender equation.

And I think it’s pretty obvious that there’s a huge element of roleplaying game nostalgia mixed in for good measure.

 

LMM: You had initially intended to kickstart the series. What was it like getting picked up by Jim Valentino before the funding went live? What was your reaction?

Kurtis Wiebe: I think it’s sort of telling in a lot of ways. I never expected ANYONE to read Rat Queens. It was a series in a genre that traditionally was a tough sell in the comic market. It didn’t even cross my mind to pitch to Shadowline until Riley Rossmo read over the pitch and said I should at least try to talk to Jim Valentino about it.

Jim responded within a few hours and greenlit it. I think Jim saw more in the series than I did at that point and took a chance. I was pretty surprised, honestly.

 

LMM: What brought you back after your hiatus?

Kurtis Wiebe: Owen Gieni. I’d been talking to him for years about working on something together. We’ve known each other long before we both ended up in Vancouver a few years ago. (Though I’m no longer there, myself.) Owen and I met up and started hanging out in Saskatoon, Canada roughly seven years ago. We played RPG’s together, jammed on story ideas and spent a few nights around a campfire having drinks. Real classic small town Saskatchewan stuff.

I’d always hoped that Owen would come onto Rat Queens for a one shot at the very least, and I’d reached out to him about coming onto the series when  Stjepan was unable to continue working on it. It didn’t work out then due to scheduling conflicts, but I’m so glad he agreed to join me for the relaunch.

You have to understand that Owen brought an energy to the series that reignited the spark for me. I had fell out of love with the series for a lot of reasons but I am absolutely loving working on it again. The best part is the level of collaboration we have. We will break story together, scene by scene. Joke by joke. This new take on Rat Queens is a real blending of our combined humor and storytelling.

 

LMM: You’ve got an interesting cast of characters to develop stories with. Who’s your favorite, and why?

Kurtis Wiebe: Tough decision. I think Betty has become the most natural for me. I know her inside and out and her ability to love anyone, despite everything, is an aspect of her personality that is a real joy to write.

 

LMM: Speaking of that cast of characters… everyone is a lot deeper than they look at first glance. Where’d you draw on the gender issues that confront Violet, where do you see her brother’s involvement in her life going, and is the rest of her family going to get involved?

Kurtis Wiebe: For Violet, it was more about family expectation. Tradition for the sake of it. Never questioning the history that came before. And the reasons her father gave her were never enough. She needed to be heard and her father, and Barrie to a certain extent, weren’t able to do so. So Violet set out to create her own traditions that were personal to her.

Barrie is already part of the new relaunch, and it’s evident he still doesn’t understand her choices. We will be dealing with that in upcoming issues and more with her family later on.

 

LMM: Violet takes care of her Queens and the Queens look like the biggest gang of heroes in Palisade – how do the people of Palisade feel about that, and how comfortable is Violet with playing politics? Will the various nobles try to use Violet and the nobles for their own ends?

Kurtis Wiebe: I doubt Violet sees herself as a hero, that would be more of a Hannah thing. But the people of Palisade are much more accepting of the Queens after they saved the town from a potentially devastating attack in Volume 2. We’ll get into that more in the series as well.

 

LMM: By the same token, you have a similar but different issue playing out with the half-orc, Braga. What was it like getting to explore her backstory, and what’s it like having her officially join the Queens?

Kurtis Wiebe: I love the one shots for that reason. We have an opportunity to tell smaller stories that reveal the history of our side characters in the series. As far as Braga, she’s always been a fun character to write. Her backstory is sad in a lot of ways, but fits in with the overall idea of found family. She never fit in with her own orcish people because of their backward violent traditions. There’s some similarities to Violet’s backstory, but Braga left to see a bigger, more beautiful world.

It was a natural fit to bring her into the fold of the Queens. It’s definitely a different dynamic, and it takes some getting used to for sure. But I’m glad we made that decision.

 

LMM: Hannah has dealt with a host of abuses in the past. Has she laid her demons to rest, so to speak, or are they going to come back to haunt her going forward?

Kurtis Wiebe: Hannah’s story is a very big part of our relaunch. I’ve said before that everything that happened in the series before matters and the relaunch is going to be a little jarring at first. I can’t say much more without giving a lot away. But, rest assured, Hannah’s history and her decisions are very much still echoing through the story.

 

LMM: Hannah’s infernal heritage has caused her a lot of grief and turned people against her not because of who but because of what she is. Do you see who she’s become as a self-fulfilling prophecy given the way she’s been treated?

Kurtis Wiebe: It can go that way. Or maybe it has. Or maybe it will. Or maybe it hasn’t. Secrets.

 

LMM: Dee’s religious background is interesting – an atheist cleric who has seen the face of her god is kind of amazing. Where did the idea of her faith come from, and are we going to see it explored further?

Kurtis Wiebe: Dee’s religious background is a fundamental part of her character and we can’t tell her story without some part of that playing a role. A lot of her experiences are based on my own. I came from a Christian family and later on became an atheist. Through her story, I’m telling my own. Even working out some of the struggles I’ve had because of it.

And Dee’s vision of her god will definitely play a large role in stories to come. For now, Dee is preparing for a career change which will be more apparent in our second arc.

 

LMM: How does Betty live on nothing but alcohol, drugs, and candy?

Kurtis Wiebe: Smidgen resilience to pleasure overload.

 

LMM: You’ve used Rat Queens as a means of poking fun at fantasy tropes while exploring modern issues of privilege, gender and sexual identity, and politics. A handful of comics have tried to echo what you built – how do you plan on keeping Rat Queens ahead of the pack?

Kurtis Wiebe: I don’t really see it as a competition. Rat Queens mirrors the community of people in my life and that’s where I draw my inspiration from. I plan to continue to be inspired by that community and try as best as I can to replicate those relationships in the world of Rat Queens.

 

LMM: Rat Queens betrays a love and knowledge of pen’n’paper role playing. Do a favorite system? What games do you play? Do you have a favorite character you’ve played in the past?

Kurtis Wiebe: I love RPGs. I play anything and everything. I think certain systems are good for specific genres or types of players. Want to introduce complete newbs to RPGs? D&D 5th edition. Want to run a deeply character driven but hilarious short story? Fiasco. It all depends on the mood and the group, in my opinion.

And, to be honest, I haven’t actually played a character in about twelve years. I exclusively run games. That’s my jam.

 

LMM: What are the future plans for Rat Queens? You’ve done some crossovers with Vox Machina from Critical Role – a live D&D show played by voice actors – and done some work for the video gaming industry in the past; any chance for a Rat Queens video game? Toys? Board games? Maybe an actual D&D expansion?

Kurtis Wiebe: Well, it hasn’t been announced yet but I’m working with Wizards of the Coast on a Rat Queens adventure supplement for D&D 5th edition. I’d love to make an RQ board game, something like a dungeon crawler miniature combat game with a huge splash of humor.

 

LMM: In the first issue of the new series, the Queens end up fighting a Giant Canadian Goose. The normal-sized ones are terrible enough, but… are there stats for the Giant Canadian Goose? For reasons of I need to inflict that on my players.

Kurtis Wiebe: No stats yet. And you can thank Owen Gieni for that one. In the script I simply said: Insert flying monster of some kind. The rest is all Owen.

 

LMM: There’s been a host of other projects that you’ve been working on, all tying into the same themes that Rat Queens draws so much from – titles like Grim Leaper and Debris coming to mind. Is there any chance we might see more of them?

Kurtis Wiebe: I’m focusing all my comic energy into Rat Queens right now. It is my number one priority and my goal is to ensure we continue to come out with fun, hilarious and adventurous stories that are also hitting their schedule. Fun fact. When issue 3 came out last month, it was the first time in the series history that we had 3 issues in a row that came out on time. That’s the goal. Consistency in schedule and quality.

 

LMM: You’ve also flirted with horror comics, as seen with Green Wake. Where did the idea come from, how did you develop it?

Kurtis Wiebe: I wrote Green Wake while going through a divorce. It was the one place I could channel all those raw emotions and transform it into something that made sense of at least some of the pain. But it was entirely a creation of both Riley and me. It was an equal partnership in both storytelling and worldbuilding and I’m super proud of it.

 

LMM: While Rat Queens was on hiatus, you started working on the sci-fi series Bounty. What was that like, jumping from one genre to the next?

Kurtis Wiebe: I wanted to do a series for a younger audience that built on the themes I’d created in Rat Queens. I’ve received so many messages about wanting a Rat Queens style story that women could share with the girls in their lives that wasn’t R rated. And Bounty came out of that. Genre jumping wasn’t a huge difficulty, I have written in sci-fi settings before and narratively it was a world that was right in my wheelhouse.
It was a lot of fun to work on. Mindy Lee is an amazing artist. Her design sense is some of the best I’ve seen in comics and it was a real honor to work with her. It was one of those things where Bounty wouldn’t have worked under anyone else’s sensibilities.

 

Thanks for taking the time to chat with us, Kurtis. If you’d like to chat with Kurtis you can do so on the twitters by clicking here or his personal page by clicking here. He’s good people. He also sometimes hangs out at Big Pete’s Comics and Collectables, where you can also buy Rat Queens and his other works. They’re also on Amazon, and you can find a helpful listing of his comics by clicking here. Thanks again to Kurtis, thank you for reading, and we’ll have more goodies for you as they crop up. 

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2205

Tessa Joyce Riecken discusses Northwest Fan Fest

Culture, Interviews

May 15, 2015

Tessa Joyce Riecken is a freelance artist from Vancouver Island. She works primarily in storyboarding, posing, and character development. You can visit her website at http://tjriecken.com/ to learn more, or come by Northwest Fan Fest to talk to her in person. We’d recommend the latter.

 

LMM: What does fandom mean to you?

Tessa Joyce Riecken: To me a fandom is a kingdom populated by nerds who share a similar interest or obsession. A fandom upholds a world of content and keeps the excitement of a subject, new or old, alive. I say nerds with absolute affection as my heart bleeds for them and I myself identify as one.

 

LMM: How do you explain that to people not in the know?

Wereville + assistantTessa Joyce Riecken: It is difficult to fully explain fandom to people who have never been in one but, to put it very simply, a fandom is a positive community that celebrates a shared interest. Not only do people come together to discuss content that has resonated with and inspired them, but people also contribute to the fandom by creating their own work in the flavour or style of the group’s interest, such as: fan art, fanfics and cosplay. People who create fandom content are a lot like musicians who perform cover songs .

 

LMM: How has being a part of the fandom affected your life?

Tessa Joyce Riecken: Every fandom I engage with allows me to step past the role of spectator and into the world of cartoon, anime and nerd culture as a participant. I have personally created a fair amount of fan art which has, as a bonus, helped me grow a larger audience and generate more interest in my original artwork. For some people fan art can be controversial and I understand that. For others, like myself, fan art for the fandom helps me to make friends, practice techniques, honour my exemplars and uncover themes that are important to me as an artist.

 

LMM: What kind of impact do events like Northwest Fan Fest have for the fandom?

Tessa Joyce Riecken: Events like Northwest Fan Fest provide a welcome and safe place for anyone and everyone who is a fan of something, whether that’s comics, anime, games, Star Wars or steampunk, to get together and have fun. It doesn’t matter what you look like, how you dress, what you believe in or where you come from in order to be a fan and enter the fandom. There are a lot of things that divide people in the world. I think it’s important to have positive events like Fan Fest to bring people together; even if it is only over Dr. Who or Naruto.

 

LMM: What’s your favorite part of Fan Fest?

Tessa Joyce Riecken: This is my first time at Fan Fest. But! My favorite part of any festival is meeting new people in artist alley and basking in the positive enthusiasm radiated by everyone. My face always hurts from smiling so much.

 

LMM: Who are you excited to see at Northwest Fan Fest?

Tessa Joyce Riecken: I’m definitely excited to see my friends unveil their cosplay and the Costume Contest. I’m also excited to see my fellow artists and the Live Sword Cutting Demonstration!

 

LMM: How would you get somebody who has never heard of it to come out?

Tessa Joyce Riecken: If they were sceptical, I’d buy their ticket for them if I had the extra cash. And I’d tell them that my artist alley table has free candy.

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1558

Interview with Michael Alan Nelson

Culture, God Of Comics, Heroes of the Living Myth, Interviews

April 14, 2015

Anyone that’s been reading the God of Comics twitter feed or reviews knows how much we love Hexed. It’s one of the best comics being told today, the comic equivalent of the Dresden Files. This week, Hexed is entering a whole new sort of story – but before that happens, why not listen to what writer Michael Alan Nelson has to say about his creation, the state of the comics industry, and writing in general? We got to sit down for an interview with the man, myth, and legend and found him to be just as awesome as we had hoped he’d be.

(more…)

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