Throughout the dark decade we know call the nineties, Hollywood seemed mystified by this weird piece of technology called computers. They weren’t sure what computers could do, but they were sure old people were scared of them and young people seemed to love them. The result was a mixed bag of movies that tried to capture the essence of those fears: thrillers like the Net, Antitrust, and Enemy of the State showed conservatives their fears of big government and crime, making those conservatives push an agenda that resulted in big government and crime.
At the same time, Hollywood also festered titles like Harry Met Sally on the general public because America Online was a thing once upon a time and had a studio that could afford to make a movie that was basically a giant commercial. Hey, it worked for Nintendo, and Tom Hanks and Meg Ryan are infinitely better than Fred Savage.
Never content to rest on their laurels, though, Hollywood also wanted to appeal to the kids who liked the whole computer thing. This resulted in the single most accurate piece of media regarding computers and the capabilities of the internet ever made, a little movie called Hackers.
Forget the thought-provoking questions asked by media like Person of Interest or the dedication to craft evidenced by Mr. Robot – Hackers embodied that sense of wonder we all had about what computers and internet meant. Computers and internet were going to save us from the forces of old and evil. We would Hack The Planet. We would rollerblade to victory to an awesome soundtrack and have confusing dreams about Angelina Jolie.
We would do everything in our power to end the evil that is Wall Street.
More interestingly, we knew that the forces of old would join the forces of evil in blaming us for trying to save them, so… culturally, this movie got it. It captures the essence of what being a kid in the nineties was, that neon sense of black-lit adventure and hope that would later be crushed and ground into nothing by a decaying world.
No wonder, then, that the Gentlemen Hecklers have decided to turn their attention to this film.
Fresh off their stint of writing for the Mystery Science Theater 3000 relaunch, Eric Fell, Shaun Stuart, and Patrick Mahlia return to the Rio Theater to crack down on one of the best worst movies ever made. For one night only, June 14th in the year 2017, the three of them will heckle greatness and we will all love them for it.
Doors open at eight, show starts at nine. You can buy tickets by clicking here, or pay $14 at the door. The choice is yours, but if you live in Vancouver? This is what you should be doing tonight.