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Preview: The 24 Carrot Show! Fou Fou Ha! Featuring FOU YORK!

Burlesque, Comedy, Culture, Events, Interviews, Performance, Showcase

July 24, 2017

Fou Fou Ha! is an ensemble of animated character performers who thrill audiences with over the top shows filled with Circus antics, jaw-dropping dance numbers to high-energy music and audience interactive playfulness. The Fous are a family of enticing, colourful, sexy performers, each owning a unique character that celebrates individuality and unabashed human expression.

Loved by many wherever they go, FFH inspires audiences to celebrate, dance, let out their inner Fool and be comfortable with their shadow. Divine trixters, sexy activators, captivating performers, out of the ordinary show. This is theater at it’s best, and the Fous make sure you have a good time watching and engaging with us.

We had a chance to talk to Maya Lane creator of Fou Fou Ha about the troupe and their upcoming shows on July 28th and 29th at The Rio in Vancouver:

LM: Can you give us a brief but fascinating history of how Fou Fou Ha! came to be.

ML: It began when I was studying dance in Holland and the Cirque culture in Europe became very inspiring and influenced me a lot. When I came back to The States I had the chance to go to Burning Man and those two experiences combined with my love of the club kid aesthetics from the ‘90’s led me to create Fou Fou Ha. The clowning aspect grew organically from there.

LM: How did you get involved with The Rio?

ML: We were introduced to Corrine of the Rio by Jasper Patterson and  Jamie Dewolf who is a well known performer in San Francisco who happens to do the annual Game of Thrones Live show, Corinne from the Rio came to see our show last year in SF and invited us to bring it to the Rio. This meeting made it so that we could do a yearly show at The Rio.

LM: Do you feel yourself to be a burlesque troupe that happens to clown… or a clown group that happens to also do burlesque?

ML: We didn’t start as either. We are a dance company who likes theatrics. But eventually, the aesthetic went to clowning and satire. Burlesque performance was also added later on as well. So, as a pure tracing of the genealogy of the show, we are clown troupe first.

LM: How many are in the troupe that is performing in the Vancouver show?

ML: 10 from San Fran and 4 from New York

And now.. not so serious questions we used to get to know people…What are your top 4 road trip songs?

LM: What are your top 4 road trip songs?

ML: My road trip songs are

  1. Alaska Thunderfuck – This Is My Hair
  2. Balkan Beat Box – Habibi Min Zaman
  3. Edith Piaf  – Padam Padam
  4. Tricky – We Don’t Die

LM: Victor/Victoria or Cabaret? Cabaret

ML: Cabaret… gotta love Fosse!

LM: If you were early to get to your plane and you had 20$ what would you spend it on?

ML: A dry martini and an Italian Vogue

For a peek of what Fou Fou Ha! Is about please feast your eyes on the video below! Tickets and show information is here!

 

 

 

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658

Tell Me Your Nightmares! First Show… Post Mortem…

Comedy, Culture, Events, LMM Live, Podcast, Showcase, Tell Me Your Nightmares

July 21, 2017

Hi!

This is Anne… and I want to say thank you to all who helped make the show amazing. Thanks to our sponsors! (Catscapades, Game Deals, Story Story Lie, Netherworld Collectibles, ZeroD20, Tinder Tales, The Sugar Lounge, Radioactive Nerd, Pandora’s Locks, The Fictionals, Aaron Golden, DarkLake Tarot, Big Pete’s, B-Bombshell Salon, Forbidden Vancouver Walking Tours, Fandom Feud, Instant Theatre Company, Seven Dining Lounge) Thanks to our guest (JJ Webb) and thanks to the live band (The Skeleton Crew).

We had a great time and more importantly, we feel confident enough to say that we have booked shows for September and October with great new bands and awesome guests. So stay tuned for more information on that front…

Please, enjoy some pictures from the show and also… a sneak preview of some of the podcast that we will be putting out.

Abbey St. Brendan, Anne Honeycutt, JJ Webb and Aaron Golden listening to Abbey read a short story about a little girl who becomes possessive of her nightmare. Photo Credit by Peter Joseph

Audience Nightmare Submitter Hiding their face while laughing. Photo Credit by Peter Joseph

Abbey, Anne and JJ talking to WOW! That Is Crazy Dream Contest Winner. Photo Credit By Peter Joseph

Pajama Contest! Photo Credit By Peter Joseph

 

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1917

Review: Too Queer: A Bi Visibility Cabaret

Books & Writing, Burlesque, Comedy, Culture, Events, Music, Performance, Reviews, Showcase

July 20, 2017

Too Queer: A Bi Visibility Cabaret was the tonic the bi/pan/polysexual community of Vancouver needed. In a city where the LGBTQIA+ community is fractured and siloed this magical night showed us that there are in fact a lot of very artistic and interesting bi/pan/polysexual performers in the community.

I was there as a guest of Producer and Host Katie Sly, who was a gem. Such a funny, real, charming vision on stage. I went with a local bisexual burlesque performer and activist Miss Dee Twenty (full disclosure, she is one of my besties) and we spent most of the night in mouth open awe of what we were witnessing.

Joining us from LA, international multi-instrumentalist, singer-songwriter and LGBT activist Honeybird gave the night such a wonderful call and response experience where the crowd was encouraged to be part of the music. Her songs are rhythmic and reminded me so much of being 13 and listening to Ani DiFranco that I had to look at my ID to remind myself that I can legally drink alcohol. It was bliss. Honeybird will be the featured musical guest for the August Living Myth Magazine Podcast.

Bad ass deaf Asian warrior Jessica Leung showed what it is like to be deaf with a cochlear implant.

Doctor Ray showing us his super brain swipe skills Photo Credit By Raven John

The incomparable poet whose work now looks at the intersection of art and technology, Doctor Ray gave us a look inside of his mind while he wore a brain wave reading machine as he swiped on Tindr.

Manda Stroyer of Virago Nation – a collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization. Photo Credit by Raven John

 

RainbowGlitz, Manda Stroyer, and Shane Sable of Virago Nation, a collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization gave us a series of burlesque performances that were out of this world! Each of them a raw and strong example of what it means to be empowered in a world that wants to disenfranchise.

Shane Sable of Virago Nation, a collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization Photo Credit By Raven John

Keyboard virtuoso and avant-garde muse, pianist Rachel Kiyo Iwaasa played a series of etudes that were based on emotions.

Dominique Wakeland, Alexa Fraser, and Matt Winter of Devil’s Threesome, a devised theatre performance ensemble emerging out of Simon Fraser University gave us possibly the most strangely erotic and entertaining piece of the night in which they blew up inflatable pool toys/furniture and then undulated while they deflated them later on in the piece.

Alexa Fraser, Dominique Wakeland, and Matt Winter of Devil’s Threesome, a devised theatre performance ensemble emerging out of Simon Fraser University Photo Credit By Raven John

Queer and trans solo multi-instrumentalist Rory Jade Grey wowed us with beautifully powerful blues guitar and spoken word pieces about their life struggles and how society treats what they are scared of.

There was a beautiful art piece during intermission where mixed-media artist Caitlynn Fairbarns had taken bisexual characters from movies and television and removed the background to show just that character in a moment of themselves being them.

The night was magical. I bonded with one of my nearest and dearest over this moment of solidarity and being witnessed. I made great friends. I felt love.

If you want to read more about Too Queer: A Bi Visibility Cabaret you can click here for the interview we did with show creator Katie Sly. Katie will also be featured in the August episode of the Living Myth Magazine Podcast.

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1737

Preview : Too Queer: A Bi Visibility Cabaret

Culture, Events, Interviews, Showcase

July 5, 2017

We recently interviewed Katie Sly of Too Queer: A Visibility Cabaret which will be at The Fox Cabaret on Friday, July 7

LMM: Can you give us a brief but fascinating history of how Too Queer: A Bi Visibility Cabaret came to be?

KS: Too Queer: A Bi Visibility Cabaret is an arts-based community engagement project I created in Toronto in 2014, in response to an absence of community events organized for and about bisexuality and pansexuality. Back in 2014, I knew only a handful of other bi/pan folks. On a message thread with the small group of bisexuals, I did know, we were sharing and complaining about perceptions of bisexuality. On that thread a friend of mine mentioned that someone should throw a performance event about bisexuality– and I immediately realized I had the requisite amount of know-how, rage, and connections, to actually make that happen. I contacted my friends William Ellis and Jordan Tannahill, who were running a storefront, independent performance venue called Videofag, told them I had no budget but a lot of passion to curate a performance night celebrating bisexuality and pansexuality, and luckily for what would become the Too Queer cabaret series, William and Jordan understood the bi and pan community’s need, and donated us their space. 

In 2014 when all of this started, I felt completely disconnected from a bisexual community and wondered if one even existed. At the same time, I encountered biphobia in my day-to-day life and in designated queer spaces, where I often saw that the B in LGBT (lesbian, gay, bisexual, trans) was only welcome if it was silent. So in curating the first Too Queer event, I only expected a handful of people to show up. What happened instead was that the performance space was so packed, it was standing-room only about an hour before performances even began. I was shocked by just how many bisexuals, pansexuals, and our allies had been waiting for an event like this– had been waiting for a space where we felt welcome. There were people standing 4-deep outside the windows of Videofag’s storefront, trying to see the performances. For the first time in my life, I saw how large our community actually is. Immediately after that first event, the bi and pan community I had just discovered asked me, “When’s the next one?” 

That’s how this bi visibility cabaret series was born.

Since 2014, Too Queer has held four widely-attended multimedia performance events in Toronto, showcasing photography, illustration, storytelling, dance, burlesque, spoken word poetry, and music, among other artistic disciplines. In 2016 Too Queer held a day of free-to-the-public arts workshops, all led by artists who identify as bi or pan, working around the question, “How do we make bisexual art?” That day of workshops was followed a week later by another hugely successful performance event at Buddies in Bad Times Theatre (the world’s oldest and largest queer theatre). In the words of Buddies’ Artistic Director Evelyn Parry, “There’s no project like Too Queer in Toronto. It’s time to expand the definition of what we think of as queer.” 

Now, with Too Queer’s first Vancouver event coming up this Friday, July 7 at 8 pm at the Fox Cabaret, Too Queer is the first and only bi-coastal (pun intended) bi and pan performance series. 

LMM: What are your goals with this event?

KS: Too Queer: A Bi Visibility Cabaret has three goals: combat biphobia, create a safe container in which bi and pan culture can develop and evolve, and serve as a cultural focal point around which bisexual folks, pansexual folks, and our allies can meet each other and form friendships, relationships, and community.

Biphobia, a form of discrimination distinct from homophobia and transphobia, takes many different forms. For example, a frequent form of discrimination bisexual people face is the assertion that bisexuality (physical, sexual, and/or emotional attraction to people of the same gender and of other genders) simply doesn’t exist, and is either an expression of confusion over sexual orientation or greed. Another form biphobia takes is the stigma that bisexuals spread HIV to the straight community. Biphobia also manifests in violence. According to the Centers for Disease Control and Prevention, bisexual women experience a significantly higher rate of being stalked, attacked, or sexually assaulted by an intimate partner than women of other sexual orientations.

The denial of the existence of bisexuality manifests in the media through an absence of portrayals of bisexual characters and narratives, which in turn enforces the belief that bisexual people don’t exist. Through art, Too Queer: A Bi Visibility Cabaret attempts to combat biphobia by increasing the visibility of bisexuality, pansexuality, and polysexuality, and by creating an opportunity for art that addresses the bi spectrum to develop.

LMM: Can you give us a rundown of the artist you are working with and why they are in the show?

KS: Vancouver’s first instalment of Too Queer: A Bi Visibility Cabaret has a tremendously diverse line-up. We have, from Vancouver:

Video art about what it means to wear a Cochlear implant and thus, be a human cyborg, from bad ass deaf Asian warrior Jessica Leung.

Poet and virtual reality investigator Doctor Ray is looking at the intersection of art and technology, bringing us an art piece he will (literally) attempt to control with his mind.

Ruthe Ordare, Manda Stroyer, and Shane Sable of Virago Nation will be performing with us. Virago Nation is an all-Indigenous collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization.

Keyboard virtuoso and avant-garde muse, bi pianist Rachel Kiyo Iwaasa will be performing compositions by a bi composer, and in so doing explore an awareness of global bi+ culture.

Dominique Wakeland, Alexa Fraser, and Matt Winter of Devil’s Threesome, a devised theatre performance ensemble emerging out of Simon Fraser University, will be sharing a hilarious and strangely sexy performance examining objects of desire.

From Toronto:

Queer and trans solo multi-instrumentalist Rory Jade Grey will be sharing their storytelling musical work on guitar and loop pedal. Rory has been a fan-favourite of Too Queer in Toronto.

We’ll be projecting visual art by Caitlynn Fairbarns. For our show on July 7, Caitlynn has taken stills from film and TV, of queer and bi characters, and has used paint to edit out their surroundings, so that the focus is brought to these queer and bi characters, whose identities are so often erased.

And last but certainly not least, joining us from across the border:

Los Angeles’s multi-instrumentalist, singer-songwriter and LGBTQ activist Monique “Honeybird” Mizrahi will be performing. Honeybird has toured Europe, and her previous performance bookings have included Obama’s White House. Honeybird was part of the Obama administration’s summit on health and policy issues related to bisexuality. (The Obama administration is the only government in the world that has held such a summit). This will be Honeybird’s first time performing in Vancouver, and Honeybird’s music often explores themes of bisexuality. She is an important international advocate for our community, and will not only share her music but her stories as a bi activist.

The artists I’ve programmed for this event, I’ve selected because they are extraordinarily talented and daring artists who either self-identity on the bi+ spectrum or their work addresses themes relevant to the bi+ community. 

LMM: Do you have a mission statement or commitment to the community that you would like to share?

KS: Too Queer: A Bi Visibility Cabaret is an arts-based community engagement project, which has been making and holding space for art addressing bisexuality, pansexuality, and polysexuality since 2014. For the purposes of this project, bisexuality, pansexuality, and/or polysexuality are sexual orientations that describe attraction to persons of more than one gender. 

Too Queer stands in solidarity with trans communities, and believes that, to paraphrase bi poet and activist Lani Ka’ahumanu: bi folk, pan folk, genderqueer folk, trans folk, and non-binary folk– we are the sex and gender border bandits, and we need to have each other’s back. 

Too Queer gives the middle finger to viewing gender and attraction as an either-or. Every washroom at Too Queer is open to everyone.

Regardless of one’s sexual orientation, everyone is welcome to attend Too Queer. Too Queer is a space where you can be who you are, and be loved as you are.

LMM: Do you have any more events planned in the future? 

KS: In September 2017, there is a weekend-long Bi Arts Festival being organized by, among others, my colleague, bi activist Catherine Jones. Catherine and I are looking at putting together an edition of Too Queer: A Bi Visibility Cabaret for the Bi Arts Festival in Toronto in September. https://www.facebook.com/biartsfestivalTO/

LMM: Name a famous bi/pan performer that you would love to have as a guest performer in the show.

KS: It’s a real thrill to have an international artist like Honeybird joining us. Honeybird is an artist I’ve been trying involve in the Too Queer project for a year now.

Next on my list of artists to have work with Too Queer is a music act called Witch Prophet, who I almost managed to snag for this first Too Queer event here in Vancouver, before Witch Prophet got booked for a gig in Tokyo. So my chase of Witch Prophet continues.

One day, I’d love to have columnist and speaker Eliel Cruz be part of a Too Queer event. Eliel is one most vocal bisexual activists I can think of, and his work has been published in the Huffington Post, Teen Vogue, GQ, and Rolling Stone, to name a few media heavy-hitters.

And then, I’d like to have Anna Paquin perform at Too Queer. 

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266

Review: The Lady Show – Prom!

Comedy, Culture, Events, Improv, Reviews, Showcase

July 5, 2017

The Lady Show is a prime example of setting up a space of solidarity and creating a community around it. Their fans are fiercely loyal, deeply passionate and really excited for the solidarity! Creating spaces for women to express themselves in ways that are authentic and away from the expectations to perform in ways that are expected. If you ever needed an example what their community looks like, take a look at their Facebook pictures from The Prom. THEY LOVE EACH OTHER! 

The host for the evening was Katie Elen Humphries and her presence was the right one for the night. Her connection with the crowd was genuine and they really vibed with her. I want to stress this… THE CROWD LOOOOOVVVVEEEED THE SHOW!

The guests for the night were Carmelahhh ComedyJasmine Elist and Sarah Wheeler and they brought great heart and talent to the show. Carmelahh Comedy who do improv around the city had great skits about a dolphin joining a cult, crying and dying at work and being best friends who stop talking to each other. Jasmine Elist had an awesome guided meditation about being kidnapped and Sarah Wheeler was the musical guest of the night and her music was soulful.

Lady Show Super Fans Loneka and Natasha were living it up prom night style with tiaras, face glitter and all the booze 😉 ” The Lady Show is Epic!”

Cast members doing The Hand Jive!

Improv duo Carmelahhh Comedy doing a skit about a horny dolphin joining a cult!

Loneka got to go on stage and help the trainer!

Loneka is good at helping

Her reward… a dolphin ride!

Sarah Wheeler singing her heart out!

 

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405

LIVE EVENT! Living Myth Live Presents TELL ME YOUR NIGHTMARES

Comedy, Culture, Events, LMM Live, Performance, Showcase

June 20, 2017

We are doing our first live show after a long hiatus of show making… and man is it a doozy!

Tell Me Your Nightmares is a show where we talk about something we all have… NIGHTMARES!

We will be at Seven Dining Loung in Vancouver, BC on July 14th from 7 PM to 11 PM.

There will be special guests and great music by our musical guests The Skeleton Crew

You can have a listen to them below

We will also have two contests! A pyjama contest and an audience nightmare contest. More information will be available on our event page.

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1839

Review: Instant Theatre – Shakespeare After Dark! The Anniversary Show

Comedy, Culture, Events, Improv, Performance, Reviews, Showcase

June 19, 2017

With uproarious laughter and perfect comic timing, the audience was transfixed by what they saw. We had an audience with “The Bard” himself, Bartitsu and rapier fighting by Affair of Honor, an Elizabethan complements contest, an insult battle with pirate ships and pickle juice as the main insult components and Matheson the best drunk thespian they could summon.  Shakespeare After Dark is very close to being sorcery on its own, but they pull some serious magic Saturday night.  We can’t say this enough but this is absolutely some of the best improv you can see in the city.

Good and gentle bards soothed us with classic chamber music throughout the evening. Photo Credit Peter Joseph for Living Myth Magazine

Producer Chelsey Stuyt welcomes the audience and introduces us to the players. Photo Credit Peter Joseph for Living Myth Magazine

Joel Cottingham as William Shakespeare was our host! “I might call him / A thing divine, for nothing natural / I ever saw so noble.” – The Tempest Photo Credit Peter Joseph for Living Myth Magazine

A packed house! Full of merry gentles! Photo Credit Peter Joseph for Living Myth Magazine

Affair of Honor showing us stunningly choreographed Bartitsu Photo Credit Peter Joseph for Living Myth Magazine

A fair maiden receiving compliments Photo Credit By Peter Joseph for Living Myth Magazine

They were wooing her real good Photo Credit By Peter Joseph for Living Myth Magazine

Pirates vs. Pickle Juice might foes in insults Photo Credit By Peter Joseph for Living Myth Magazine

Affair of Honor and their endless rapier duel Photo Credit By Peter Joseph for Living Myth Magazine

It would be Shakespeare After Dark without a drunk actor. Matheson was our man of the evening. Photo Credit By Peter Joseph for Living Myth Magazine

“I’M A DRAGON” Photo Credit By Peter Joseph for Living Myth Magazine

A man armed with mead is as dangerous as a man armed with sword Photo Credit By Peter Joseph for Living Myth Magazine

Like all good Shakespearean tragedies… There is a lot of death. Photo Credit By Peter Joseph for Living Myth Magazine

Like … a lot of death… Photo Credit By Peter Joseph for Living Myth Magazine

Did we mention there was death? Because there was. Photo Credit By Peter Joseph for Living Myth Magazine

Standing Ovation! Photo Credit By Peter Joseph for Living Myth Magazine

Chelsey bidding us a gentle night and merry revelry. Photo Credit By Peter Joseph for Living Myth Magazine

Our contest winners enjoying alcohol and snacks!

Congratulations Instant Theatre on a successful and hilarious Shakespeare After Dark!  If you want to catch their next show it will be at The Havana on July 22nd.

 

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814

Kurtis Wiebe on Rat Queens

Books & Writing, Culture, Interviews, Showcase

June 19, 2017

Kurtis Wiebe, writer of Rat Queens and Bounty and a host of other comics that we love, recently took the time to sit down and chat about his return to that title, his love of role playing games, the future of the Queens, and some of his other projects. It’s the sort of conversation that we’re delighted to be able to share, and so…

 

LMM: Hey, Kurtis, thanks for taking the time to do this with us. You’re back writing Rat Queens, one of the first – and, in our opinion, one of the best – dungeons and dragons inspired comics to feature anything other than male leads. Where did the original concept come from?

Kurtis Wiebe: Rat Queens was born out of the idea of taking fantasy in a direction I’d never seen before. I’d never come across a fantasy series, comic or fiction in general, that featured four female protagonists. I wanted to create a world where gender really didn’t matter when it came to career pursuits. So often when a woman is a warrior in these sorts of stories there’s always someone making a point of it. “You can’t do that, you’re a woman.” And then the story is about them proving that they can. I think it’s a fun concept that it’s just a universally accepted fact that a job is a job, no one questions the gender equation.

And I think it’s pretty obvious that there’s a huge element of roleplaying game nostalgia mixed in for good measure.

 

LMM: You had initially intended to kickstart the series. What was it like getting picked up by Jim Valentino before the funding went live? What was your reaction?

Kurtis Wiebe: I think it’s sort of telling in a lot of ways. I never expected ANYONE to read Rat Queens. It was a series in a genre that traditionally was a tough sell in the comic market. It didn’t even cross my mind to pitch to Shadowline until Riley Rossmo read over the pitch and said I should at least try to talk to Jim Valentino about it.

Jim responded within a few hours and greenlit it. I think Jim saw more in the series than I did at that point and took a chance. I was pretty surprised, honestly.

 

LMM: What brought you back after your hiatus?

Kurtis Wiebe: Owen Gieni. I’d been talking to him for years about working on something together. We’ve known each other long before we both ended up in Vancouver a few years ago. (Though I’m no longer there, myself.) Owen and I met up and started hanging out in Saskatoon, Canada roughly seven years ago. We played RPG’s together, jammed on story ideas and spent a few nights around a campfire having drinks. Real classic small town Saskatchewan stuff.

I’d always hoped that Owen would come onto Rat Queens for a one shot at the very least, and I’d reached out to him about coming onto the series when  Stjepan was unable to continue working on it. It didn’t work out then due to scheduling conflicts, but I’m so glad he agreed to join me for the relaunch.

You have to understand that Owen brought an energy to the series that reignited the spark for me. I had fell out of love with the series for a lot of reasons but I am absolutely loving working on it again. The best part is the level of collaboration we have. We will break story together, scene by scene. Joke by joke. This new take on Rat Queens is a real blending of our combined humor and storytelling.

 

LMM: You’ve got an interesting cast of characters to develop stories with. Who’s your favorite, and why?

Kurtis Wiebe: Tough decision. I think Betty has become the most natural for me. I know her inside and out and her ability to love anyone, despite everything, is an aspect of her personality that is a real joy to write.

 

LMM: Speaking of that cast of characters… everyone is a lot deeper than they look at first glance. Where’d you draw on the gender issues that confront Violet, where do you see her brother’s involvement in her life going, and is the rest of her family going to get involved?

Kurtis Wiebe: For Violet, it was more about family expectation. Tradition for the sake of it. Never questioning the history that came before. And the reasons her father gave her were never enough. She needed to be heard and her father, and Barrie to a certain extent, weren’t able to do so. So Violet set out to create her own traditions that were personal to her.

Barrie is already part of the new relaunch, and it’s evident he still doesn’t understand her choices. We will be dealing with that in upcoming issues and more with her family later on.

 

LMM: Violet takes care of her Queens and the Queens look like the biggest gang of heroes in Palisade – how do the people of Palisade feel about that, and how comfortable is Violet with playing politics? Will the various nobles try to use Violet and the nobles for their own ends?

Kurtis Wiebe: I doubt Violet sees herself as a hero, that would be more of a Hannah thing. But the people of Palisade are much more accepting of the Queens after they saved the town from a potentially devastating attack in Volume 2. We’ll get into that more in the series as well.

 

LMM: By the same token, you have a similar but different issue playing out with the half-orc, Braga. What was it like getting to explore her backstory, and what’s it like having her officially join the Queens?

Kurtis Wiebe: I love the one shots for that reason. We have an opportunity to tell smaller stories that reveal the history of our side characters in the series. As far as Braga, she’s always been a fun character to write. Her backstory is sad in a lot of ways, but fits in with the overall idea of found family. She never fit in with her own orcish people because of their backward violent traditions. There’s some similarities to Violet’s backstory, but Braga left to see a bigger, more beautiful world.

It was a natural fit to bring her into the fold of the Queens. It’s definitely a different dynamic, and it takes some getting used to for sure. But I’m glad we made that decision.

 

LMM: Hannah has dealt with a host of abuses in the past. Has she laid her demons to rest, so to speak, or are they going to come back to haunt her going forward?

Kurtis Wiebe: Hannah’s story is a very big part of our relaunch. I’ve said before that everything that happened in the series before matters and the relaunch is going to be a little jarring at first. I can’t say much more without giving a lot away. But, rest assured, Hannah’s history and her decisions are very much still echoing through the story.

 

LMM: Hannah’s infernal heritage has caused her a lot of grief and turned people against her not because of who but because of what she is. Do you see who she’s become as a self-fulfilling prophecy given the way she’s been treated?

Kurtis Wiebe: It can go that way. Or maybe it has. Or maybe it will. Or maybe it hasn’t. Secrets.

 

LMM: Dee’s religious background is interesting – an atheist cleric who has seen the face of her god is kind of amazing. Where did the idea of her faith come from, and are we going to see it explored further?

Kurtis Wiebe: Dee’s religious background is a fundamental part of her character and we can’t tell her story without some part of that playing a role. A lot of her experiences are based on my own. I came from a Christian family and later on became an atheist. Through her story, I’m telling my own. Even working out some of the struggles I’ve had because of it.

And Dee’s vision of her god will definitely play a large role in stories to come. For now, Dee is preparing for a career change which will be more apparent in our second arc.

 

LMM: How does Betty live on nothing but alcohol, drugs, and candy?

Kurtis Wiebe: Smidgen resilience to pleasure overload.

 

LMM: You’ve used Rat Queens as a means of poking fun at fantasy tropes while exploring modern issues of privilege, gender and sexual identity, and politics. A handful of comics have tried to echo what you built – how do you plan on keeping Rat Queens ahead of the pack?

Kurtis Wiebe: I don’t really see it as a competition. Rat Queens mirrors the community of people in my life and that’s where I draw my inspiration from. I plan to continue to be inspired by that community and try as best as I can to replicate those relationships in the world of Rat Queens.

 

LMM: Rat Queens betrays a love and knowledge of pen’n’paper role playing. Do a favorite system? What games do you play? Do you have a favorite character you’ve played in the past?

Kurtis Wiebe: I love RPGs. I play anything and everything. I think certain systems are good for specific genres or types of players. Want to introduce complete newbs to RPGs? D&D 5th edition. Want to run a deeply character driven but hilarious short story? Fiasco. It all depends on the mood and the group, in my opinion.

And, to be honest, I haven’t actually played a character in about twelve years. I exclusively run games. That’s my jam.

 

LMM: What are the future plans for Rat Queens? You’ve done some crossovers with Vox Machina from Critical Role – a live D&D show played by voice actors – and done some work for the video gaming industry in the past; any chance for a Rat Queens video game? Toys? Board games? Maybe an actual D&D expansion?

Kurtis Wiebe: Well, it hasn’t been announced yet but I’m working with Wizards of the Coast on a Rat Queens adventure supplement for D&D 5th edition. I’d love to make an RQ board game, something like a dungeon crawler miniature combat game with a huge splash of humor.

 

LMM: In the first issue of the new series, the Queens end up fighting a Giant Canadian Goose. The normal-sized ones are terrible enough, but… are there stats for the Giant Canadian Goose? For reasons of I need to inflict that on my players.

Kurtis Wiebe: No stats yet. And you can thank Owen Gieni for that one. In the script I simply said: Insert flying monster of some kind. The rest is all Owen.

 

LMM: There’s been a host of other projects that you’ve been working on, all tying into the same themes that Rat Queens draws so much from – titles like Grim Leaper and Debris coming to mind. Is there any chance we might see more of them?

Kurtis Wiebe: I’m focusing all my comic energy into Rat Queens right now. It is my number one priority and my goal is to ensure we continue to come out with fun, hilarious and adventurous stories that are also hitting their schedule. Fun fact. When issue 3 came out last month, it was the first time in the series history that we had 3 issues in a row that came out on time. That’s the goal. Consistency in schedule and quality.

 

LMM: You’ve also flirted with horror comics, as seen with Green Wake. Where did the idea come from, how did you develop it?

Kurtis Wiebe: I wrote Green Wake while going through a divorce. It was the one place I could channel all those raw emotions and transform it into something that made sense of at least some of the pain. But it was entirely a creation of both Riley and me. It was an equal partnership in both storytelling and worldbuilding and I’m super proud of it.

 

LMM: While Rat Queens was on hiatus, you started working on the sci-fi series Bounty. What was that like, jumping from one genre to the next?

Kurtis Wiebe: I wanted to do a series for a younger audience that built on the themes I’d created in Rat Queens. I’ve received so many messages about wanting a Rat Queens style story that women could share with the girls in their lives that wasn’t R rated. And Bounty came out of that. Genre jumping wasn’t a huge difficulty, I have written in sci-fi settings before and narratively it was a world that was right in my wheelhouse.
It was a lot of fun to work on. Mindy Lee is an amazing artist. Her design sense is some of the best I’ve seen in comics and it was a real honor to work with her. It was one of those things where Bounty wouldn’t have worked under anyone else’s sensibilities.

 

Thanks for taking the time to chat with us, Kurtis. If you’d like to chat with Kurtis you can do so on the twitters by clicking here or his personal page by clicking here. He’s good people. He also sometimes hangs out at Big Pete’s Comics and Collectables, where you can also buy Rat Queens and his other works. They’re also on Amazon, and you can find a helpful listing of his comics by clicking here. Thanks again to Kurtis, thank you for reading, and we’ll have more goodies for you as they crop up. 

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Review: Lord of the Schwings: A Tolkien Burlesque Night at the Rio! by Kitty Glitter and Geekenders

Burlesque, Culture, Events, Interviews, Performance, Reviews, Showcase

June 15, 2017

 This was a great show! Full of a love of the mythology and respect for the fandom,”Lord of the Schwings: A Tolkien Burlesque Night” gave the audience an epic quest and an epic burly-boner. Filled with the type of things a good show should have jokes, jiggles and just plain fun.
Our host(ess) for the night was Lady Galadriel played by Seamus Fit-It-In who was transcendent and regal. Photo Credit Zemekiss Photography

Poutina Turner and Kitty Glitter playing Frodo Baggins and Samwise Gamgee Photo Credit Zemekiss Photography

Jacob Woike and Jayne Fondue as Legolas and Gimli Photo Credit Zemekiss Photography

Sasja Smolders as Gandalf giving us some hot bearded wizard seduction. Photo Credit By Zemekiss Photography

“THE HAVE FIRE” Was gleefully screamed as we saw Lola Loops as Lord Sauron spin fire hoops the crowd was immediately turned up to 11 with excitement.  Photo Credit Zemekiss Photography

Vixen Von Flex as Balrog Photo Credit By Zemekiss Photography

Andrew Lynch as Pippin and Neville Powerbottom as Merry Photo Credit By Zemekiss Photography

Draco Muff-Boi as Gollum Photo Credit Photography

Kitty Glitter as Sam’s Taters Photo Credit By Zemekiss Photography

Trixie Hobbitses as Treebeard the Ent doing the longest tease ever Photo Credit By Zemekiss Photography

Ginger Femmecat as Arwen Photo Credit By Zemekiss Photography

Twerk Du Soleil as Shelob spraying silk over the audience Photo Credit By Zemekiss Photography

Orcs! Photo Credit By Zemekiss Photography

We also had the chance to talk to the producer of the show Kitty Glitter 
LMM: How long have you been working with Geekenders?
KG: I have been working with Geekenders ever since Jurassic Parody: The Musical (in October 2015). I saw the auditions listed online and knew I HAD to be in the show… It’s one of my favourite movies!
LMM: How do you pick the shows you produce?
KG: Most of the shows are picked about a year in advance. I have been involved with the company for a while now, and Fairlith Harvey (Owner/ Artistic Director of Geekenders)  trusts that I can put on a good show, so I am able to write my own shows (Mischief Managed, Lord of the Schwings), with help from my fiance, Seamus Fit-It-In.
LMM: Why Lord of The Rings?
KG: Why LOTR? Lord of the Rings has always been one of my favourite trilogies. It’s something that my entire generation has grown up with and loves unconditionally. The characters are so well known, and diverse. I knew we would be able to sell it out because pretty much everyone you talk to knows Lord of the Rings and loves it. Also, who doesn’t want to see Legolas strip?
LMM: Do you have any FAR OUR WEIRD ideas that you want to do but you are unsure if they would work?
KG: I have this idea of a men’s only burlesque show… but I feel like it might be hard to sell out. Seamus Fit-It-In and I are actually putting together a Tenacious D Burlesque Tribute show, which will be September 1st at the Rio Theatre. It’s also a bit of a “niche” crowd, but we hope that the fans are willing to come out to the show! We will have the “Hot & Heavy Band” playing all the songs live, and some heavy duty performers, so we know it’s going to be incredible.
LMM: What advice do you have for those who want to go into burlesque?
KG: My advice for people wanting to get into burlesque is first… GO SEE ALL THE SHOWS! You will learn so much. Also, take classes! Even if you think you are amazing, there is always something to learn. There are lots of classes around town… such as Burgundy Brixx’s “School of Tease” (http://www.burgundybrixx.com/classes.html)
LMM: If you had 20$ to spend at an airport what would you spend it on?
KG: $20 at an airport? Easy. Mini Eggs
LMM: Are their shows you want to promote either your own or others?
KG: Shows to Promote:

Harry Potter’s Burlesque Birthday Party – July 31 at the Rio Theatre
Lord of the Schwings REMOUNT – August 18 at the Rio TheatreTenacious D Burlesque Tribute with the Hot & Heavy Band – September 1st at the Rio Theatre

 

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254

Contest Time: Instant Theatre Company – Shakespeare After Dark – The Anniversary Show!

Comedy, Culture, Events, Showcase

June 11, 2017

Instant Theatre Company is celebrating the anniversary of their hit show Shakespeare After Dark and they are teaming up with us to do a super great contest.  To enter you need to tag a friend you want to go to the show with and Living Myth and Instant Theatre will randomly select the winners to receive 2 tickets and a snack.

Featuring live swordplay from Affair of Honor, live music from our improvising Shakespeare band, and many more surprises yet to be announced!!

Shakespeare After Dark is the highbrow fusion of Shakespeare served with a side of improvisational mischief. In the first half, you’ll witness a scene from the Bard utterly monkey-wrenched by an utterly punch-drunk cast member leaving the rest of the cast to improvise around them. Then, stick around for the second half where the cast lays the booze aside to serve a straight up Shakespearean tragedy – based on your suggestions. With a genuinely drunken professional actor volunteering every night, no two shows are ever the same. Side-splitting, raucous, and completely interactive, Shakespeare After Dark will blow you away.

Shakespeare After Dark seeks to introduce a new generation of theatre-goers to the works of the Bard by reviving the raucous, interactive and vibrant nature of Elizabethan theatre with a very modern twist that only the spirit of improvisation can bring, whilst reminding them to to always enjoy Shakespeare responsibly.

Shakespeare After Dark regularly sells out so make sure you get your tickets in advance! The Rio Theatre on the corner of Broadway and Commercial Drive. Tickets are $10 or $12 at the door.

19+ – Alcohol will be served. No minors.

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