MENU

Events
Category

155

Tell Me Your Nightmares! First Show… Post Mortem…

Comedy, Culture, Events, LMM Live, Podcast, Showcase, Tell Me Your Nightmares

July 21, 2017

Hi!

This is Anne… and I want to say thank you to all who helped make the show amazing. Thanks to our sponsors! (Catscapades, Game Deals, Story Story Lie, Netherworld Collectibles, ZeroD20, Tinder Tales, The Sugar Lounge, Radioactive Nerd, Pandora’s Locks, The Fictionals, Aaron Golden, DarkLake Tarot, Big Pete’s, B-Bombshell Salon, Forbidden Vancouver Walking Tours, Fandom Feud, Instant Theatre Company, Seven Dining Lounge) Thanks to our guest (JJ Webb) and thanks to the live band (The Skeleton Crew).

We had a great time and more importantly, we feel confident enough to say that we have booked shows for September and October with great new bands and awesome guests. So stay tuned for more information on that front…

Please, enjoy some pictures from the show and also… a sneak preview of some of the podcast that we will be putting out.

Abbey St. Brendan, Anne Honeycutt, JJ Webb and Aaron Golden listening to Abbey read a short story about a little girl who becomes possessive of her nightmare. Photo Credit by Peter Joseph

Audience Nightmare Submitter Hiding their face while laughing. Photo Credit by Peter Joseph

Abbey, Anne and JJ talking to WOW! That Is Crazy Dream Contest Winner. Photo Credit By Peter Joseph

Pajama Contest! Photo Credit By Peter Joseph

 

Read article

327

Review: Too Queer: A Bi Visibility Cabaret

Books & Writing, Burlesque, Comedy, Culture, Events, Music, Performance, Reviews, Showcase

July 20, 2017

Too Queer: A Bi Visibility Cabaret was the tonic the bi/pan/polysexual community of Vancouver needed. In a city where the LGBTQIA+ community is fractured and siloed this magical night showed us that there are in fact a lot of very artistic and interesting bi/pan/polysexual performers in the community.

I was there as a guest of Producer and Host Katie Sly, who was a gem. Such a funny, real, charming vision on stage. I went with a local bisexual burlesque performer and activist Miss Dee Twenty (full disclosure, she is one of my besties) and we spent most of the night in mouth open awe of what we were witnessing.

Joining us from LA, international multi-instrumentalist, singer-songwriter and LGBT activist Honeybird gave the night such a wonderful call and response experience where the crowd was encouraged to be part of the music. Her songs are rhythmic and reminded me so much of being 13 and listening to Ani DiFranco that I had to look at my ID to remind myself that I can legally drink alcohol. It was bliss. Honeybird will be the featured musical guest for the August Living Myth Magazine Podcast.

Bad ass deaf Asian warrior Jessica Leung showed what it is like to be deaf with a cochlear implant.

Doctor Ray showing us his super brain swipe skills Photo Credit By Raven John

The incomparable poet whose work now looks at the intersection of art and technology, Doctor Ray gave us a look inside of his mind while he wore a brain wave reading machine as he swiped on Tindr.

Manda Stroyer of Virago Nation – a collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization. Photo Credit by Raven John

 

RainbowGlitz, Manda Stroyer, and Shane Sable of Virago Nation, a collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization gave us a series of burlesque performances that were out of this world! Each of them a raw and strong example of what it means to be empowered in a world that wants to disenfranchise.

Shane Sable of Virago Nation, a collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization Photo Credit By Raven John

Keyboard virtuoso and avant-garde muse, pianist Rachel Kiyo Iwaasa played a series of etudes that were based on emotions.

Dominique Wakeland, Alexa Fraser, and Matt Winter of Devil’s Threesome, a devised theatre performance ensemble emerging out of Simon Fraser University gave us possibly the most strangely erotic and entertaining piece of the night in which they blew up inflatable pool toys/furniture and then undulated while they deflated them later on in the piece.

Alexa Fraser, Dominique Wakeland, and Matt Winter of Devil’s Threesome, a devised theatre performance ensemble emerging out of Simon Fraser University Photo Credit By Raven John

Queer and trans solo multi-instrumentalist Rory Jade Grey wowed us with beautifully powerful blues guitar and spoken word pieces about their life struggles and how society treats what they are scared of.

There was a beautiful art piece during intermission where mixed-media artist Caitlynn Fairbarns had taken bisexual characters from movies and television and removed the background to show just that character in a moment of themselves being them.

The night was magical. I bonded with one of my nearest and dearest over this moment of solidarity and being witnessed. I made great friends. I felt love.

If you want to read more about Too Queer: A Bi Visibility Cabaret you can click here for the interview we did with show creator Katie Sly. Katie will also be featured in the August episode of the Living Myth Magazine Podcast.

Read article

188

Review: Content Warning: Erotic Fanfiction Deathmatch – Superheroes!

Books & Writing, Comedy, Culture, Events, Performance, Reviews, Short Fictions

July 19, 2017

Seven Dining Lounge is fast becoming a regular geek hangout with many recurring monthly shows known in the community. The night of Friday, July 7th was no exception with Content Warning: Erotic Fanfiction Deathmatch. For those not in the know, fanfiction is a written piece of fiction about a popular culture franchise usually by a fan of said franchise. A famous example of fanfic I’m sure many have heard of is Fifty Shades of Grey, originally based on the Twilight series. Content Warning is a lot like that, but without the Hollywood budget movies and with a bit more consent.

To start off the night’s festivities, host and co-producer Jesse Inocalla takes the stage to announce, well… content warning and general conduct. Each piece has a word count limit of 2,000 words and the content must be enthusiastically consensual. And to the audience, “Don’t be creeps.” A logical rule welcomed by all those attending. This is when the logic ends and wtf begins, as Jesse launches into the first 4 chapters of the ever infamous “My Immortal”. To get the full impact of My Immortal, Google is your friend. It was the only piece of the night not featuring a local writer and set the tone of painful hilarity for the rest of the evening.

The first actual feature story of the night was “Maximum Effort” by Lisa Simon as read by Seth Little’s soothing voice. It began with in-story Deadpool sitting by a fireplace, telling us a bedtime smutty tale about himself and Wolverine, and later joined by Lady Deadpool and Headpool. Also a B story of Dogpool and a white, squeaky unicorn plush somewhere in the background. The words “Snikt me!” and “frothy man syrup” happened. To say more would likely violate content rating rules.

Next up was Katie Kieran Browner’s “Batman v. Catwoman!” narrated by the lovely Minnie Perón. Set in Gotham City on July 4th of a nondescript year, Catwoman slinks around and encounters a stray Batman. A steamy encounter happens between the two and “I’m Batman” was uttered five times. And then – Plot Twist! – it was actually imposter Deadpool. But also it’s just a fantasy as imagined by Deadpool because Deadpool respects women and would never do such a thing.

The third story of the night had the ever talented Abbey St. Brendan reading Jenna Sokalski’s “One Pump Man”. This tale of Saitama (titular character of One Punch Man) has him in the loving embrace of Kal-El himself. It features active consent, as one would expect of classic Superman and was ground-shakingly funny. Abbey’s expressive voice lent well to Saitama’s baritone and 50s radio play style Superman, which adds another layer to the story telling and had the audience roaring with laughter.

Before intermission, we have “Batman vs. Superman” by Topher Andrew Graham, as delivered by the charming Nhi Do. A better version of Batman v Superman where Batman helps out a bro doused in Zod’s Kryptonian pheromones. There’s a Wonder Woman cameo which involved “mathematically impossible poses”. Also “giant dick shaped holes” in significant cultural monuments such as the Eiffel Tower. Kryptonite was used, candles were lit, baddies were ultimately defeated.

Right after the break, we have David Aboussafy’s “Birds of Prey”, once again read by Nhi Do. It features Harley Quinn domming Nightwing and lots of laughing, as one would expect with Harley. Also CBT (NOT cognitive behavioural therapy). As they say, “Once you had Dick…”

The outstanding story of the night is “Kibble War” by Zachary Taylor voiced by Abbey St. Brendan. It truly lived up to the shows name. It sees Garfield’s AU (alternate universe for those not well versed in fanfic lingo) superhero persona, Garzooka and the Pet Force, and the Super Buddies. One must be there to fully absorb the impact this story leaves, made all the more captivating by Abbey’s sound effects. To go into more details will surely violate content rating rules.

To recover from Kibble War, there is Minnie Perón reading Mikail Korst’s “INFINITY FIST”. Thanos lost his Infinity Gauntlet in Galactus’ anal cavity, granting the World Eater unlimited power. Dr. Manhattan arrives with a White Lantern ring where one does not usually find a Lantern ring and attempts to retrieve said gauntlet and to punish Galactus by unconventional means. The tale ends in them forever entwined in passion… or as the audience coined, a “f*ckpocalypse”.

Last but not least is “The Batgirl” by Lauren Wallace, narrated once again by Seth Little. The audience saw Batgirl (Barbara Gordon) giving Batgirls (Stephanie Brown and Cassandra Cain) a lesson in seduction. The story features Batgirls, many bat similes, more bat facts, and SO MANY bat sex facts. And at the end of it all, Batwoman.

At the end of the night, audience members were encouraged to vote on an online poll to choose the night’s, Smut Master. Lauren Wallace’s “The Batgirl” won fan favourite. Spanning 3 hours, 4 local performers, and 8 stories, Content Warning definitely gives the ticket price worth of entertainment and then some. If adult bedtime stories with a heavy dose of trashy smut and questionable logic sounds like a good time, absolutely do check out future shows. Next Content Warning is on August 11th and the theme is Fantasy.

 


Eva Mak is a local producer, artist and lady about town. You can tweet at her @originalevamak 

Read article

278

SCRAP Entertainment presents Defenders of the Triforce

Culture, Events, Reviews

July 10, 2017

Escape Rooms are a recent advent, the product of clever people growing up and building games for other clever people. The idea is to create a room with a series of riddles, puzzles, and tricks that anyone can solve with the proper application of intelligence, and there’s some that are very good and some that are, well, they’re kinda meh.

Defenders of the Triforce exceeds all ideas of the former.

This is easily one of the best escape rooms we’ve ever done and why wouldn’t it be? Crafted by SCRAP Entertainmenta puzzle game room company that has been running since 2007 and has offices in Kyoto, San Francisco, San Jose, Los Angeles, and Toronto – this is one of the most immersive experiences we’ve ever had the pleasure of playing through. What’s even more impressive is that they’ve taken this particular room on tour.

Defenders of the Triforce has traveled to San Francisco, Los Angeles, San Diego, Houston, New York, Montreal, Toronto, Ottawa, Vancouver, Phoenix, Seattle, Chicago, Edmonton, and Calgary. We had the distinct pleasure of trying out their Vancouver efforts and were amazed from the moment we arrived to long after we left.

We’re not going to spoil anything or give away solutions to any of the puzzles, but we are going to talking about what this was like and urge you to go and experience this for yourself. It is well worth the effort.

Most escape rooms involve a single location where you and a small number of people are looked in that environment and look for a way out. Some feature multiple rooms and some don’t – it depends on the narrative structure of the story being told, because every escape room has a story and flavor that gives the experience context. Here’s the setup for this one:

Defenders of the Triforce takes place in a hotel ballroom. It’s massive, with a video screen that gives us our story – Ganon has returned and Link has gone missing. Princess Zelda is holding him at bay and we, each group of players, is given the means of becoming the Hero of Time. We are split into groups of six or seven but everyone plays at once. There’s a sense of companionship with the people at your table and competition with the tables around you, but it’s all in good fun – everyone can win, but everyone wants to win first.

It’s remarkable how well SCRAP has captured the look and feel of the Legend of Zelda. Early buzz from excited participants took note of the dungeons around the room – Kokiri Village, Goron Mountain, the Temple of Time, and a Zora Lagoon. Helpers flutter around with glowing faerie shirts, responding to cries of hey, listen and offering hints to those that need them.

And you might need them. The puzzles are fiendishly clever, though nowhere near as hard as the Water Temple. Time travel, gardening, music, movement, pots, rupees, all the things you’d expect from a Zelda game are present and accounted for. It’s amazing how easy it is to get lost in the feel of it all, the sense that you’re wandering through a Zelda game and that only you and your friends can save Hyrule from the Gerudo Tribe’s most infamous son.

Though SCRAP Entertainment has left Vancouver, there are plenty more locations that you can learn more about by clicking here. They’ve also got other games coming down the pipe and going on tour, including experiences based on Final Fantasy, Dragon Ball Z, and the Mummy (the recent Tom Cruise one, not the Brendan Fraser one). They’re also branching out into augmented reality games, and you can learn more about that by clicking here or watching this video:

In short, if you have the chance to go to an escape room run by SCRAP, grab some friends and do it. These games are awesome.

Read article

965

Preview : Too Queer: A Bi Visibility Cabaret

Culture, Events, Interviews, Showcase

July 5, 2017

We recently interviewed Katie Sly of Too Queer: A Visibility Cabaret which will be at The Fox Cabaret on Friday, July 7

LMM: Can you give us a brief but fascinating history of how Too Queer: A Bi Visibility Cabaret came to be?

KS: Too Queer: A Bi Visibility Cabaret is an arts-based community engagement project I created in Toronto in 2014, in response to an absence of community events organized for and about bisexuality and pansexuality. Back in 2014, I knew only a handful of other bi/pan folks. On a message thread with the small group of bisexuals, I did know, we were sharing and complaining about perceptions of bisexuality. On that thread a friend of mine mentioned that someone should throw a performance event about bisexuality– and I immediately realized I had the requisite amount of know-how, rage, and connections, to actually make that happen. I contacted my friends William Ellis and Jordan Tannahill, who were running a storefront, independent performance venue called Videofag, told them I had no budget but a lot of passion to curate a performance night celebrating bisexuality and pansexuality, and luckily for what would become the Too Queer cabaret series, William and Jordan understood the bi and pan community’s need, and donated us their space. 

In 2014 when all of this started, I felt completely disconnected from a bisexual community and wondered if one even existed. At the same time, I encountered biphobia in my day-to-day life and in designated queer spaces, where I often saw that the B in LGBT (lesbian, gay, bisexual, trans) was only welcome if it was silent. So in curating the first Too Queer event, I only expected a handful of people to show up. What happened instead was that the performance space was so packed, it was standing-room only about an hour before performances even began. I was shocked by just how many bisexuals, pansexuals, and our allies had been waiting for an event like this– had been waiting for a space where we felt welcome. There were people standing 4-deep outside the windows of Videofag’s storefront, trying to see the performances. For the first time in my life, I saw how large our community actually is. Immediately after that first event, the bi and pan community I had just discovered asked me, “When’s the next one?” 

That’s how this bi visibility cabaret series was born.

Since 2014, Too Queer has held four widely-attended multimedia performance events in Toronto, showcasing photography, illustration, storytelling, dance, burlesque, spoken word poetry, and music, among other artistic disciplines. In 2016 Too Queer held a day of free-to-the-public arts workshops, all led by artists who identify as bi or pan, working around the question, “How do we make bisexual art?” That day of workshops was followed a week later by another hugely successful performance event at Buddies in Bad Times Theatre (the world’s oldest and largest queer theatre). In the words of Buddies’ Artistic Director Evelyn Parry, “There’s no project like Too Queer in Toronto. It’s time to expand the definition of what we think of as queer.” 

Now, with Too Queer’s first Vancouver event coming up this Friday, July 7 at 8 pm at the Fox Cabaret, Too Queer is the first and only bi-coastal (pun intended) bi and pan performance series. 

LMM: What are your goals with this event?

KS: Too Queer: A Bi Visibility Cabaret has three goals: combat biphobia, create a safe container in which bi and pan culture can develop and evolve, and serve as a cultural focal point around which bisexual folks, pansexual folks, and our allies can meet each other and form friendships, relationships, and community.

Biphobia, a form of discrimination distinct from homophobia and transphobia, takes many different forms. For example, a frequent form of discrimination bisexual people face is the assertion that bisexuality (physical, sexual, and/or emotional attraction to people of the same gender and of other genders) simply doesn’t exist, and is either an expression of confusion over sexual orientation or greed. Another form biphobia takes is the stigma that bisexuals spread HIV to the straight community. Biphobia also manifests in violence. According to the Centers for Disease Control and Prevention, bisexual women experience a significantly higher rate of being stalked, attacked, or sexually assaulted by an intimate partner than women of other sexual orientations.

The denial of the existence of bisexuality manifests in the media through an absence of portrayals of bisexual characters and narratives, which in turn enforces the belief that bisexual people don’t exist. Through art, Too Queer: A Bi Visibility Cabaret attempts to combat biphobia by increasing the visibility of bisexuality, pansexuality, and polysexuality, and by creating an opportunity for art that addresses the bi spectrum to develop.

LMM: Can you give us a rundown of the artist you are working with and why they are in the show?

KS: Vancouver’s first instalment of Too Queer: A Bi Visibility Cabaret has a tremendously diverse line-up. We have, from Vancouver:

Video art about what it means to wear a Cochlear implant and thus, be a human cyborg, from bad ass deaf Asian warrior Jessica Leung.

Poet and virtual reality investigator Doctor Ray is looking at the intersection of art and technology, bringing us an art piece he will (literally) attempt to control with his mind.

Ruthe Ordare, Manda Stroyer, and Shane Sable of Virago Nation will be performing with us. Virago Nation is an all-Indigenous collective of burlesque performers on a mission to reclaim Indigenous sexuality from the toxic effects of colonization.

Keyboard virtuoso and avant-garde muse, bi pianist Rachel Kiyo Iwaasa will be performing compositions by a bi composer, and in so doing explore an awareness of global bi+ culture.

Dominique Wakeland, Alexa Fraser, and Matt Winter of Devil’s Threesome, a devised theatre performance ensemble emerging out of Simon Fraser University, will be sharing a hilarious and strangely sexy performance examining objects of desire.

From Toronto:

Queer and trans solo multi-instrumentalist Rory Jade Grey will be sharing their storytelling musical work on guitar and loop pedal. Rory has been a fan-favourite of Too Queer in Toronto.

We’ll be projecting visual art by Caitlynn Fairbarns. For our show on July 7, Caitlynn has taken stills from film and TV, of queer and bi characters, and has used paint to edit out their surroundings, so that the focus is brought to these queer and bi characters, whose identities are so often erased.

And last but certainly not least, joining us from across the border:

Los Angeles’s multi-instrumentalist, singer-songwriter and LGBTQ activist Monique “Honeybird” Mizrahi will be performing. Honeybird has toured Europe, and her previous performance bookings have included Obama’s White House. Honeybird was part of the Obama administration’s summit on health and policy issues related to bisexuality. (The Obama administration is the only government in the world that has held such a summit). This will be Honeybird’s first time performing in Vancouver, and Honeybird’s music often explores themes of bisexuality. She is an important international advocate for our community, and will not only share her music but her stories as a bi activist.

The artists I’ve programmed for this event, I’ve selected because they are extraordinarily talented and daring artists who either self-identity on the bi+ spectrum or their work addresses themes relevant to the bi+ community. 

LMM: Do you have a mission statement or commitment to the community that you would like to share?

KS: Too Queer: A Bi Visibility Cabaret is an arts-based community engagement project, which has been making and holding space for art addressing bisexuality, pansexuality, and polysexuality since 2014. For the purposes of this project, bisexuality, pansexuality, and/or polysexuality are sexual orientations that describe attraction to persons of more than one gender. 

Too Queer stands in solidarity with trans communities, and believes that, to paraphrase bi poet and activist Lani Ka’ahumanu: bi folk, pan folk, genderqueer folk, trans folk, and non-binary folk– we are the sex and gender border bandits, and we need to have each other’s back. 

Too Queer gives the middle finger to viewing gender and attraction as an either-or. Every washroom at Too Queer is open to everyone.

Regardless of one’s sexual orientation, everyone is welcome to attend Too Queer. Too Queer is a space where you can be who you are, and be loved as you are.

LMM: Do you have any more events planned in the future? 

KS: In September 2017, there is a weekend-long Bi Arts Festival being organized by, among others, my colleague, bi activist Catherine Jones. Catherine and I are looking at putting together an edition of Too Queer: A Bi Visibility Cabaret for the Bi Arts Festival in Toronto in September. https://www.facebook.com/biartsfestivalTO/

LMM: Name a famous bi/pan performer that you would love to have as a guest performer in the show.

KS: It’s a real thrill to have an international artist like Honeybird joining us. Honeybird is an artist I’ve been trying involve in the Too Queer project for a year now.

Next on my list of artists to have work with Too Queer is a music act called Witch Prophet, who I almost managed to snag for this first Too Queer event here in Vancouver, before Witch Prophet got booked for a gig in Tokyo. So my chase of Witch Prophet continues.

One day, I’d love to have columnist and speaker Eliel Cruz be part of a Too Queer event. Eliel is one most vocal bisexual activists I can think of, and his work has been published in the Huffington Post, Teen Vogue, GQ, and Rolling Stone, to name a few media heavy-hitters.

And then, I’d like to have Anna Paquin perform at Too Queer. 

Read article

150

Review: The Lady Show – Prom!

Comedy, Culture, Events, Improv, Reviews, Showcase

July 5, 2017

The Lady Show is a prime example of setting up a space of solidarity and creating a community around it. Their fans are fiercely loyal, deeply passionate and really excited for the solidarity! Creating spaces for women to express themselves in ways that are authentic and away from the expectations to perform in ways that are expected. If you ever needed an example what their community looks like, take a look at their Facebook pictures from The Prom. THEY LOVE EACH OTHER! 

The host for the evening was Katie Elen Humphries and her presence was the right one for the night. Her connection with the crowd was genuine and they really vibed with her. I want to stress this… THE CROWD LOOOOOVVVVEEEED THE SHOW!

The guests for the night were Carmelahhh ComedyJasmine Elist and Sarah Wheeler and they brought great heart and talent to the show. Carmelahh Comedy who do improv around the city had great skits about a dolphin joining a cult, crying and dying at work and being best friends who stop talking to each other. Jasmine Elist had an awesome guided meditation about being kidnapped and Sarah Wheeler was the musical guest of the night and her music was soulful.

Lady Show Super Fans Loneka and Natasha were living it up prom night style with tiaras, face glitter and all the booze 😉 ” The Lady Show is Epic!”

Cast members doing The Hand Jive!

Improv duo Carmelahhh Comedy doing a skit about a horny dolphin joining a cult!

Loneka got to go on stage and help the trainer!

Loneka is good at helping

Her reward… a dolphin ride!

Sarah Wheeler singing her heart out!

 

Read article

125

Gentlemen Hecklers present Moonraker

Comedy, Events

July 4, 2017

Moonraker had to seem pretty far-fetched when it came out all the way back in 1979, but this was the year where American democracy gave way to the Oligarchy, bringing us to the nightmare dystopia we find ourselves living in today. It’s the fourth Roger Moore Bond film and not the first to feature Jaws, a massive and mostly silent killer who cannot be stopped or reasoned with, but that’s not the most fantastic part about it.

The villains are environmentalists who believe in eugenics and plan to kill the whole human species while maintaining breeding pairs of genetically perfect people, whatever that means. They’re effectively corporations who are dead set on genocide to create a new master race. Even their environmentalism is a sham, meant only to provide a world for their new master race to rule.

And here’s the thing – as the oligarchy in America sinks to ever greater lows in their selfishness and dehumanization of people in order to make themselves richer, they’re on the verge of destroying the biosphere we all rely on for life. Could their way out involve leaving the planet? Could science fiction be moving ever closer to science fact?

I don’t know. This is not the best of the Bond films by a long shot, but it is a fun one and that makes it perfect fodder for the Gentlemen Hecklers.

Come witness three of the geniuses that brought us the Mystery Science Theater 3000 reboot as they return to the Rio Theater. Eric Fell, Shaun Stuart, and Patrick Mahlia return to the Rio Theater to rake James Bond across the moon.

On July 12th these three will gather to blast us all off into an atmosphere of funny, where laughter will echo across sticky floors. You can buy tickets by clicking here, or pay $14 at the door. If you are a Vancouver native or are simply passing through, this is the best thing you could do with your time come July 12th.

Doors open at eight, show starts at nine. See you there.

Read article

319

LIVE EVENT! Living Myth Live Presents TELL ME YOUR NIGHTMARES

Comedy, Culture, Events, LMM Live, Performance, Showcase

June 20, 2017

We are doing our first live show after a long hiatus of show making… and man is it a doozy!

Tell Me Your Nightmares is a show where we talk about something we all have… NIGHTMARES!

We will be at Seven Dining Loung in Vancouver, BC on July 14th from 7 PM to 11 PM.

There will be special guests and great music by our musical guests The Skeleton Crew

You can have a listen to them below

We will also have two contests! A pyjama contest and an audience nightmare contest. More information will be available on our event page.

Read article

572

Review: Instant Theatre – Shakespeare After Dark! The Anniversary Show

Comedy, Culture, Events, Improv, Performance, Reviews, Showcase

June 19, 2017

With uproarious laughter and perfect comic timing, the audience was transfixed by what they saw. We had an audience with “The Bard” himself, Bartitsu and rapier fighting by Affair of Honor, an Elizabethan complements contest, an insult battle with pirate ships and pickle juice as the main insult components and Matheson the best drunk thespian they could summon.  Shakespeare After Dark is very close to being sorcery on its own, but they pull some serious magic Saturday night.  We can’t say this enough but this is absolutely some of the best improv you can see in the city.

Good and gentle bards soothed us with classic chamber music throughout the evening. Photo Credit Peter Joseph for Living Myth Magazine

Producer Chelsey Stuyt welcomes the audience and introduces us to the players. Photo Credit Peter Joseph for Living Myth Magazine

Joel Cottingham as William Shakespeare was our host! “I might call him / A thing divine, for nothing natural / I ever saw so noble.” – The Tempest Photo Credit Peter Joseph for Living Myth Magazine

A packed house! Full of merry gentles! Photo Credit Peter Joseph for Living Myth Magazine

Affair of Honor showing us stunningly choreographed Bartitsu Photo Credit Peter Joseph for Living Myth Magazine

A fair maiden receiving compliments Photo Credit By Peter Joseph for Living Myth Magazine

They were wooing her real good Photo Credit By Peter Joseph for Living Myth Magazine

Pirates vs. Pickle Juice might foes in insults Photo Credit By Peter Joseph for Living Myth Magazine

Affair of Honor and their endless rapier duel Photo Credit By Peter Joseph for Living Myth Magazine

It would be Shakespeare After Dark without a drunk actor. Matheson was our man of the evening. Photo Credit By Peter Joseph for Living Myth Magazine

“I’M A DRAGON” Photo Credit By Peter Joseph for Living Myth Magazine

A man armed with mead is as dangerous as a man armed with sword Photo Credit By Peter Joseph for Living Myth Magazine

Like all good Shakespearean tragedies… There is a lot of death. Photo Credit By Peter Joseph for Living Myth Magazine

Like … a lot of death… Photo Credit By Peter Joseph for Living Myth Magazine

Did we mention there was death? Because there was. Photo Credit By Peter Joseph for Living Myth Magazine

Standing Ovation! Photo Credit By Peter Joseph for Living Myth Magazine

Chelsey bidding us a gentle night and merry revelry. Photo Credit By Peter Joseph for Living Myth Magazine

Our contest winners enjoying alcohol and snacks!

Congratulations Instant Theatre on a successful and hilarious Shakespeare After Dark!  If you want to catch their next show it will be at The Havana on July 22nd.

 

Read article

256

Review: Instant Threatre – The LAB Presents The Cult

Comedy, Culture, Events, Improv, Performance, Reviews

June 15, 2017

Shawn Norman as The Cults leader

Welcome to the Family! The Cult is an improvised mockumentary featuring live interviews with ex-members and never-before-seen “footage” of life in a cult that we invent on the spot based on your suggestion! Just like a real cult, we’ll seduce you with all the good stuff: beautiful people, a charismatic (if narcissistic) leader, promises of secret knowledge and free love, and of course — all the sweet sweet Koolaid you can drink! The only difference is we’ll let you go home after…if you even want to.

With: Shawn Norman, Shane McLean, Julianne Hoyak, Kai Rudell, William Dunn, Janet Davidson, Geoff Walters, Julia Lank  Host/Filmmaker: Tia Glenn-Cooke

The brainchild of Tia Glenn-Cooke, The Cult brings forth the seedy underbelly of cults. Because this is improv the story is different every time… but the story of cults are usually the same. A charismatic leader, lies, deceit and of course the realisation that the leader is a monster. It is beautiful and if you ever have a chance to join the cult of THE CULT… drink the Kool-Aid.

Read article