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The Criticals Comedy show us a new take on an improv classic

Comedy

April 14, 2017

If you live in the Vancouver Lower Mainland and go to fandom conventions then you know who The Criticals Comedy are. You also know that “Whose Line Is It Anime?” is a convention goer favourite. They pack every panel room they are booked in and have had to have people turned away.

However, if you don’t go to fandom conventions, then you would not have had a chance to be delighted… until now. Brothers Phillip Amor and Colin Amor along with their cousin Zachary Taylor had their premier Whose Line event last Friday at Seven Dining Lounge in Vancouver and for a show that started at conventions,  it packed a decent crowd ready to participate in improv scenarios for fabulous prizes.

Colin Amor, Phillip Amor and Zachary Taylor look on in horror/laughter as contestants improv. Photo Credit: Quill Point

Photo Credit: Ashley Gabriel

The setup is simple in it’s formula, upon entering the venue you are give n a door ticket. That door ticket will be entered into the raffle later on in the night but it is also used to randomly choose the contestants for each round. When your name ticket is called, you go up, listen to the improv game instructions and create a scene with the other contestants. Popular games are “Scenes From A Hat” and “Pocket Words”. At the end of the show the winners of each round are called up on stage and given prizes and a chance to do a final scene.

This city is going to be having a local geek culture metamorphosis soon, the long standing Geeks versus Nerds Vancouver announced that season 5 (the current season) will be their last season, and with the change of the culture and those driving it we find ourselves wondering what will be the newest lineup of monthly geeky/nerdy events to gather at, “Whose Line Is It Anime?” is a strong contender.

Chris Nyarady from Geeks versus Nerds Vancouver was there and participated in a scene where you did colour commentary for a game of competitive Monopoly. Photo Credit: Ashley Gabriel

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I was “murdered” by burlesque troupe and I would happily do it again, Geekenders “We All Float Down Here”...

Burlesque, Events, Reviews

April 1, 2017

If you haven’t been attending the Geekenders 2016/2017 Season you are missing out on events that are innovative and life-changing. I was floored when I saw their stage production of The Rocky Horror Show, I could not get over how amazing Batlesque was, and I wouldn’t have thought that something could beat them but We All Float Down Here proved my happily wrong.

Our horrifying hosts for the evening were Gidget Gravedigger and Alistair Crane and they were adorable, creepy and chocked full of Sleepwalkers trivia. Their story of the evening was the unfortunate but understandable murder of Alistair by Gidget and, in a typical King plot twist, having the body buried in the Pet Cemetary, only to have him come back to life and then turn into the Night Flier, was so silly and creepy. A+.

They were helped by their stage kitties in the first half of the show, Anita Johnson and Flash LeFox. The two crept and delighted the audience as The Grady Twins from The Shining. I would also like to make special note that I really appreciated that there was recognition that Stephen King writes about disturbing things and therefore an appropriate warning was said before people got in too deep. It shows that Geekenders cares about their audiences and stays true to their mandate of being a progressive troupe of performers.

The first performance revved the engines of the audience as Trixie Hobbitses as Christine danced and murdered her way around Kitty Glitter and Seamus Fit-It-In to the perfect song, The Beatles Baby You Can Drive My Car. She delighted. She KILLED. Her use of the classic balloon pop routine was a great treat and her use of headlights was top notch.

Next up was Androsia Wilde and Rear Admiral Ziggy Starbutt in a sexy homoerotic tango inspired by King’s epic The Dark Tower series. The routine turned into a violent pas de deux of fisticuffs and undressing while Short Change Hero by The Heavy.

Our first boylesque number of the night was Tylr Bourbon performing The Mist which was visceral and mesmerized the audience with the lush and disturbing images.

Fanny Oakley then gave us a sanguine belly dance sensation in her interpretation of Salem’s Lot complete with drinking blood on stage and bearing all as Take Me To Church by Hozier played.

Our first international act of the night came from a good friend of the Geekenders community who had performed in the Weird Al Burlesque: Violet DeVille, fresh from a performance date in Texas, possessed perfect comic timing in a The Lonesome Death of Jordy Verrill number. She made SPACE GOO even more awesome than it already was. A nice touch was using Catch A Falling Star by Perry Como and the Thunderstruck cover by Steve n’ Seagulls.

Secret Window, Secret Garden is one of my favorite King works and Ginger Femmecat and Draco-Muff-Boi’s take on it was perfection. The Nine Inch Nails song The Line Begins to Blur was the right choice for this performance and story. The visuals of Draco and Ginger transforming into each other was executed with precision and disturbing beauty.

The best part of The Shining is seeing a family descend into madness and the horror of knowing that the place that the world you live in is out to get you. Riannaconda showed us a trifecta of narratives transitioning from Wendy Torrance to Jack Torrance to the Overlook itself (complete with the iconic carpet). Also, two words… Glitter Axe.

Full disclosure: I am a Miss Dee Twenty fangirl. My opinion of her work is possibly slightly biased, but I checked with everyone else I could talk to and we were all in agreement, she is a rockstar. Her Needful Things act was a classic Miss Dee performance. Great music selection, Satan Takes A Holiday by Tommy Dorsey Orchestra and Artie Shaw’s Nightmare along with her trademark narrative opener tells us a story of how when you make a deal with the devil you will be exposed. The Half and Half is a classic burlesque routine and Dee does it in full.

I enjoy a good period blood joke. Most beings with uteruses know the body horror of menstruation and Carrie was a formative and terrifying story of how women are shamed for their natural body functions. Fanny Oakley’s second number of the night explored that by using a montage of images from the movie and her own dancing which beautifully crescendoed into the crowning blood red glitter bath glory.

“She can’t be dead, MISERY CHASTAIN CANNOT BE DEAD!” is how I felt at the end Seamus-Fit-It-In and Kitty Glitter’s Misery number. The glitter axe made its second appearance as the couple showed how deep their love goes for wheelchairs, torture and Kathy Bates

I love it when performers take concepts from classic burlesque and turn it on their heads. Violet DeVille’s second number of the night was a reverse tease. Drawing inspiration from Silver Bullet, a story of a small town terrorized by a werewolf, Violet came out in her wolf form and danced in a barely-there nude costume with wolf mask and tail, then slowly added human elements of dress to a cover version of Bad Moon Rising by Mourning Ritual Feat: Peter Dreimanis of July Talk. It was a well-crafted comment on how we hide the dark animal inside our selves by covering it up with what we see as civilized.

The antepenultimate act was a huge and wild ensemble piece. One of the best things about Geekenders’ shows is that you will never be disappointed in a floor show style group “everyone take off your clothes” piece, and this is no exception. Veronica Vamp led Fanny Oakley, Faye Havok, and Tylr Bourbon in the ritualistic torture of Trixie Hobbitses and Seamus Fit-It-In with Rear Admiral Siggy Starbutts reprising her roll of Death in an epic retelling of Children of the Corn. Set to Go Kindergarten by Lonely Island featuring Robin, it was spicy like the Gingers that menaced us on stage.

With the reboot of IT coming to theaters and the recent upswing of creepy clowns standing on the edges of towns with balloons, having a clown with a balloon stand in the lobby of The Rio who encourages you to take photos of them with your friends is inspired. Brandy Snifter is, in fact, one of the most inspired performers I saw that night. If you ever had a raging crush on Loonette from Big Comfy Couch, then Brandy Snifter performing to Killer Klowns by The Dickies and the Goldfinger cover of 99 Red Balloons is your dark grown-up fantasy. We were so blessed to have Brandy visit from LA, because she is an international burlesque gem.

In my family, we have a “no shower curtain when taking a bath” rule. The Shining and specifically room 237 is the horror movie incident that inspired this rule. Anita Johnson, who is a gosh darned genius, used my fear of shower curtains and bathtubs against me in her Room 237 number where she stripped off her rotting flesh to Splish Splash by Bobby Darin. Jeebus the whole thing gave me a queasy but happy feeling in my stomach.

We all Float Down Here was a freaky, creepy, scary, unnerving delight. Successfully selling out the Rio and showing the city that Horrorlesque is a viable and popular genre of burlesque. If Geekenders gets any more amazing it is going to be hard to get tickets and that means that they are going to have to get support from their fans to find larger venues to accommodate the needs of the community that adores them.

We All Float Down Here Setlist

Christine – Drive My Car by The Beatles

The Dark Tower Series – Short Change Hero by The Heavy

The Mist – Haydar by Gulcan Kaya

Salem’s Lot – Take Me To Church by Hozier

The Lonesome Death of Jordy Verrill Catch A Falling Star by Perry Como

The Lonesome Death of Jordy Verrill Thunderstruck by Steve n’ Seagulls

Secret Window – The Line Begins To Blur by Nine Inch Nails

The Shining – How Deep Can I Go by Hairy Soul Man

Needful Things – Satan Takes A Holiday by Tommy Dorsey Orchestra

Needful Things – Nightmare by Artie Shaw

Carrie – Red Dress by MAGIC!

Misery – Love On The Rocks With No Ice by The Darkness

Silver Bullet – Bad Moon Rising  by Mourning Ritual Feat: Peter Dreimanis

Children of the Corn – Go Kindergarten by The Lonely Island Feat: Robyn

IT – Killer Klowns by The Dickies

IT – 99 Red Balloons by Goldfinger

Room 237/ The Shining – Diana by Paul Anka

Room 237/ The Shining – Splish Splash by Bobby Darin

Room 237/ The Shining – Rebel Rouser by Duane Eddie

Room 237/ The Shining – Charlie Big Potato by Skunk Anansie

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148

Geeks Versus Nerds Vancouver gets Outta This World!

Events

March 20, 2017

Woooaaaahhh!!! They’re going totally outta this world and throughout time for the next episode of Geeks versus Nerds Vancouver! Check out this totally rad lineup involving some of your favourite iconic characters…

Opener: Ready for some X-TREME debate action involving some phat pop culture icons that are totally da bomb? It’s SONIC vs SPAWN – “who is the best mascot for the nineties?”

Headliner: Some assembly may be required for the following debate featuring two groups of warriors from outta this world!! It’s THE AUTOBOTS vs THE CRYSTAL GEMS – “which team of aliens best defends earth from their own kind?”

Post-debate live music: The Runaway Four are coming to rock their brand of video game medleys and promote their debut album “Chaos Theatre”. Stick around for extra entertainment and fun! Tickets can be purchased ahead of time here or at the door.

NOTE: DOORS OPEN AT 6PM, SHOW STARTS AT 7PM!! Remember to get there early to call dibs on a seat!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

As usual, there will be food and drink available, and they’ll be running our Costume Contest, Raffle, and Twitter Contest for exciting prizes!

Remember, at Geeks versus Nerds, YOU – the audience – determine the victor (so come and support your favourite team!)

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155

You’ll Take a Shining to Stephen King Burlesque at Vancouver’s Rio Theatre

Burlesque, Events

March 20, 2017

Geekenders, Vancouver’s ‘cult sensation’ (Vancity Buzz) burlesque

troupe celebrating fandom, pop culture and alternative beauty, has announced a new

burlesque spectacular celebrating the work of Stephen King.

In the past four years Geekenders shows have drawn over 40,000 audience members

to shows ranging from a musical comedy take on the Portal video games to a cabaret-
style show exploring the world of Doctor Who, as well as consistently appearing in ‘Best

Burlesque Troupe’ lists all over the city, and shut down pop culture conventions with

packed houses, and changed the face of Vancouver’s theatrical community, making

theatre and burlesque accessible to an entirely new demographic of people.

In that tradition, Geekenders’ brand new burlesque variety show, ‘We All Float Down

Here: A Burlesque Tribute to Stephen King’ at the Rio Theatre on March 25th. ‘We All

Float Down Here’ is a burlesque, dance, and comedy show celebrating the oeuvre of

Stephen King through a vaudeville lens, creating a world where the horror writer’s films

collide in a Ziegfeld Follies-style explosion of glitter and showgirls.

Featuring FIFTEEN of Vancouver’s biggest nerdlesque names!

RIANNACONDA!
REBEL VALENTINE!
JAYNE FONDUE!
FANNY OAKLEY!
VERONICA VAMP!
TRIXIE HOBBITSES!
TYLR BOURBON!
SEAMUS FIT-IT-IN!
KITTY GLITTER!
ANDROSIA WILDE!
REAR ADMIRAL ZIGGY STARBUTTS!
GINGER FEMMECAT!
DRACO MUFF-BOI!
MISS DEE TWENTY!
ANITA JOHNSON!

“We pick the things we do to coax people out to see live theatre or burlesque, people

who might not have been previously interested,” says Geekenders artistic director

Fairlith Harvey. “There’s so much to see, from body-positivity and exclusively feminist

content, to gender blind casting, LGBT-friendly shows, goofy humour, and intricate

dance routines.”

Geekenders’ production of the Vegas-style nerdlesque revue ‘We All Float Down Here:

A Burlesque Tribute to Stephen King’ runs Saturday, March 25th. Tickets are available in

advance at riotheatretickets.ca. For more information about Geekenders, visit

geekenders.ca or facebook.com/Geekenders

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470

Instant Theatre – Outer Middle Zone

Improv, Reviews

March 10, 2017

Vancouver is an improv town, boasting several improv theaters that teach and mold gaggles of improv artists each year. The most innovative and prolific is the Instant Theatre Company. Their show lineup is eclectic but well thought-out, ranging from themed performances to all out free-for-alls, where you can see the talents of the many troops that are forming or have coalesced via their school.

One of the most unique shows to come out of the Instant Theatre is The Outer Middle Zone. “Behind this dark curtain lies another dimension – a dimension of late night science fiction theater inspired by The Twilight Zone and The Outer Limits. A dimension where some of Vancouver’s top improvisers bring you astonishing tales from the border of the everyday and the uncanny. The dimension we call… the Outer-Middle Zone! Cast members Nikolai Witschl, Brad Duffy, Travis Bernhardt, Chelsey Stuyt, and Max Tennessen spin stories filled with unexpected twists and macabre turns, all made up on the spot based on your suggestions. Get all the chills, suspense, hilarity, and surprises your all-too-human brain can handle at Instant Theatre’s late night science fiction triple feature!”

The stories spun that night were eerie and delightful, the story of a man who swindled his way into a more modern hell, a white room without a means of escape and with no one to entertain him; a man stranded on an island, reliving the terror of interacting with the ghosts of a family he was marooned with; and the terror of being forced to battle for space on the last rocket ship, leaving Earth before the ever-increasing gravity imploded the planet and everything and everyone on it.

I have seen a lot of improv and it can be hit-or-miss, but Instant Theatre proved to be more of the former and none of the latter. There were moments watching this that I felt slightly terrified and touched by emotions that were honest but not pleasant, though in a good way.

The actors faithfully and lovingly capture the tension and fear that was North America in the middle of The Cold War. Skillful and clever, they were able to evoke the cheesy camp of early TV commercials for products that no one would want, the dryness of a newscast of that era all while battling through suggestions that would flub up those less skilled.

Instant Theatre is a gem and the future of improv in this town. If you ever get a chance to go to a show, please do: you will not be disappointed and if you feel the urge to hone your improv or comedy craft they would be happy to teach you. Visit http://instanttheatre.com/ for their show and class schedule.

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161

We Are Back

Uncategorized

March 10, 2017

There were some strange happenings. Life happened and it was nerdy and strange and okay, but it lacked the feel of the mythic – and the mythic is where we live. It’s time to come home and talk about the myths that define our lives, the legends that we make our goals, and the way that media impacts our dreams.

Living Myth Magazine.

A pirate organization (we have one ninja who we keep in a box), Living Myth Magazine is interested in explaining why things are cool, what works and what doesn’t, getting into the deep of why a thing matters and what the likely outcome of an event or product is to be.

We can talk movies, comics, politics, religion – any and everything that people use to define ourselves and the world we all share.   

Have you ever considered a career in piracy? Yes, you. You would make a good Dread Pirate Roberts. Join us on our crazed adventure. We will bring ourselves to the horizon. Yar. Click here to learn more about how YOU can join us on our voyage and become our matey., the idea is that a bad thing ish  

 

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