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God of Comics: Batman / The Shadow #1

Batman / The Shadow #1 (DC Comics / Dynamite Comics)

The Shadow beat Batman.

Got your attention? Good. The Shadow was a radio play serial that debuted in July of 1930 and followed that up with print in April of 1931. Batman, of course, debuted in Detective Comics in March of 1939. It’s safe to say that Bruce took some things from his forbear, though he upped the theatricality and lost the faux East Asian mysticism. Both characters did originally use guns and outright murder evil-doers, though Batman gave that up shortly after his origin was firmly established, but Bruce still follows a lot of rules the Shadow started.

The Shadow only hunts after dark. So does Bruce. The Shadow has sidekicks and supervillains and a secret lair. So does Bruce. The Shadow has a multi-millionaire alter ego whose life was touched by tragedy. So does Bruce. The animated series even paid homage to the Shadow and his influence on Batman with the Grey Ghost character.

Here’s the set-up: there’s been some spectacular murders happens in Gotham, which is very much the sort of thing that attracts Bruce’s attention. Trick of it is, all the evidence points to Lamont Cranston as being the culprit – but Lamont has been dead for more than fifty years, and is the alter-ego of the original Shadow~!

This is very much the sort of mystery that Bruce loves and can’t let go of, so he’s going to dig deep and peel back the layers until he gets to the truth at the core of Lamont’s life… but the Shadow is out there, trying to stop him, and the Shadow knows exactly the sort of evil that lurks in the heart of every man.

Also, the writing team on this is Scott Snyder and Steve Orlando, the former of which has a reputation as one of the best Batman writers of our era and the latter of which has been doing amazing things all over post-Rebirth DC, so that has a lot of promise. Both of them are also fans of the Shadow and they’ve promised that this is going to be a classic mystery, a meeting of the minds as much as anything else.

As if that wasn’t enough, Riley Motherfucking Rossmo is handling the art on this. You might recognize his gorgeous stylings from Rasputin, Constantine, Hellblazer… the man is unspeakably good at creating mood with a sketchy style that is utterly unlike anyone else working today. His artwork is perfect for a story like this, where nothing is certain and everything is always in danger of falling apart, a world where truth is a vague ephemera, more promise than reality.

Yeah, this sounds like exactly the comic we need right now. Bring it on.

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